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Counting Crows 2018 Tickets

H2>About Counting Crows

With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock and Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded its debut album, August and Everything After, with T-Bone Burnett. Released in the fall, it was a dark and somber record, driven by the morose lyrics and expressive vocals of Adam Duritz. The only uptempo song, “Mr. Jones,” became their ticket to stardom, and Counting Crows enjoyed a significant amount of success throughout the ’90s and beyond.

What made Counting Crows unique was how they were able to balance Duritz’s tortured lyrics with the sound of the late ’60s and early ’70s; it made them one of the few alternative bands to appeal to listeners who thought that rock & roll died in 1972. Recovering the Satellites followed in 1996, and “A Long December” was a Top Ten hit on both the Modern Rock and Adult Top 40 charts. The band issued the two-disc Across a Wire: Live in New York in 1998, and the following year saw the release of Counting Crows’ third studio album, This Desert Life. In the midst of recording and collaborating with Ryan Adams on his sophomore album, Gold, Duritz joined his band in the studio as well. The fruit of those sessions was the group’s Steve Lillywhite-produced fourth album, Hard Candy.

The next year saw the release of the best-of Films About Ghosts, and in 2004 Counting Crows reminded fans of their ability to write a hit single with “Accidentally in Love,” which appeared on the Shrek 2 soundtrack. Two years later, New Amsterdam: Live at Heineken Music Hall, recorded from a show on February 6, 2003, was made available to the public. In 2008 the band issued Saturday Nights and Sunday Mornings, a concept record divided into two halves: the more rowdy, upbeat rock of Saturday night soundtracks and the mellow alt-country side of Sunday morning hangovers.

In 2009 the band parted ways with its longtime major-label home Geffen Records, but continued to tour and write new material as feverishly as ever. Duritz struggled with mental problems and prescription drug addiction following the split with Geffen, working on solo material that he released in part online. August and Everything After: Live at Town Hall, the band’s third official live album, was released in 2011. To tide fans over until the release of an album of new material, the band offered up a collection of cover songs entitled Underwater Sunshine (Or What We Did on Our Summer Vacation) in 2012 and yet another live album, Echoes of the Outlaw Roadshow, the following year. While touring in 2013 the group started to write material for what would become its seventh album. Recorded at the end of 2013 with producer Brian Deck, Somewhere Under Wonderland saw release in September 2014. ~ Stephen Thomas Erlewine | Apple Music

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Radiohead
Fri
Jul 6
7:30PM
United Center, Chicago, IL Tickets

About Radiohead

At some point in the early 21st century, Radiohead became something more than a band: they became a touchstone for everything that is fearless and adventurous in rock, inheriting the throne from David Bowie, Pink Floyd, and the Talking Heads. The latter group gave the band its name — it’s an album track on 1986’s True Stories — but Radiohead never sounded much like the Heads, nor did they take much from Bowie apart from their willingness to experiment. Instead, they spliced Floyd’s spaciness with U2’s messianic arena-rock heft, bridging the gap with guitar skronk borrowed from the ’80s … more @ Apple Music

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Toto
Humphreys Concerts By The Bay, San Diego, CA
Tue
Aug 7
7:30PM

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Counting Crows 2018 Tickets

H2>About Counting Crows

With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock and Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded its debut album, August and Everything After, with T-Bone Burnett. Released in the fall, it was a dark and somber record, driven by the morose lyrics and expressive vocals of Adam Duritz. The only uptempo song, “Mr. Jones,” became their ticket to stardom, and Counting Crows enjoyed a significant amount of success throughout the ’90s and beyond.

What made Counting Crows unique was how they were able to balance Duritz’s tortured lyrics with the sound of the late ’60s and early ’70s; it made them one of the few alternative bands to appeal to listeners who thought that rock & roll died in 1972. Recovering the Satellites followed in 1996, and “A Long December” was a Top Ten hit on both the Modern Rock and Adult Top 40 charts. The band issued the two-disc Across a Wire: Live in New York in 1998, and the following year saw the release of Counting Crows’ third studio album, This Desert Life. In the midst of recording and collaborating with Ryan Adams on his sophomore album, Gold, Duritz joined his band in the studio as well. The fruit of those sessions was the group’s Steve Lillywhite-produced fourth album, Hard Candy.

The next year saw the release of the best-of Films About Ghosts, and in 2004 Counting Crows reminded fans of their ability to write a hit single with “Accidentally in Love,” which appeared on the Shrek 2 soundtrack. Two years later, New Amsterdam: Live at Heineken Music Hall, recorded from a show on February 6, 2003, was made available to the public. In 2008 the band issued Saturday Nights and Sunday Mornings, a concept record divided into two halves: the more rowdy, upbeat rock of Saturday night soundtracks and the mellow alt-country side of Sunday morning hangovers.

In 2009 the band parted ways with its longtime major-label home Geffen Records, but continued to tour and write new material as feverishly as ever. Duritz struggled with mental problems and prescription drug addiction following the split with Geffen, working on solo material that he released in part online. August and Everything After: Live at Town Hall, the band’s third official live album, was released in 2011. To tide fans over until the release of an album of new material, the band offered up a collection of cover songs entitled Underwater Sunshine (Or What We Did on Our Summer Vacation) in 2012 and yet another live album, Echoes of the Outlaw Roadshow, the following year. While touring in 2013 the group started to write material for what would become its seventh album. Recorded at the end of 2013 with producer Brian Deck, Somewhere Under Wonderland saw release in September 2014. ~ Stephen Thomas Erlewine | Apple Music

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Find tickets for Trans-Siberian Orchestra in Tacoma, Washington at Tacoma Dome on Sunday, November 25, 2018.

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Rebelution upcoming concert MECU Pavilion, Baltimore, MD

Find tickets for Rebelution in Baltimore, Maryland at MECU Pavilion on Thursday, August 08, 2019. MECU Pavilion is located at 731 Eastern Ave in Baltimore, MD

About Rebelution

When California reggae outfit Rebelution was nominated for a Grammy in 2017 for the previous year’s Falling Into Place it proved the culmination of more than a decade spent woodshedding, endlessly touring and a do-it-yourself attitude in managing an ever growing international fan base and running the charts. It was their album to top the reggae charts. Their sound is an amalgam of pop-tinged reggae and breezy indie rock.

Formed in Santa Barbara, California by a group of college music students, Rebelution was built from diverse musical backgrounds united by a shared passion for reggae. Launched in 2004, Rebelution spent a couple years playing around their home base, offering a breezy fusion of roots and rock that immediately set the group apart from acts such as Sublime and Long Beach Dub All-Stars. In 2006, they made their debut with a self-titled EP, while 2007 saw them hit with their debut album, Courage to Grow that hit ther number four spot on thereggae charts. Their 2009 follow-up, Bright Side of Life, topped the Reggae Albums chart, while 2011 saw them cross over into electronica with their Remix EP.

Peace of Mind arrived in 2012 with the versions Peace of Mind: Acoustic and Peace of Mind: Dub following later in the year, the latter remixed by Easy Star All-Star’s Michael Goldwasser. Two years later, the group landed on Goldwasser’s Easy Star label with the album Count Me In. Count Me In: Acoustic appeared on the group’s own 87 label in 2015, then it was back to Easy Star for 2016’s Falling into Place. The album featured a guest appearance from Jamaican singer Protoje and debuted at number 32 on the Billboard 200 album chart and won a Grammy nomination.

They foillowed it with the chart-topping Live At Red Rocks.

In 2018, Free Rein, another chart-topping set that expanded the band’s sonic palette to include more lover’s rock was released. The band utilized several producers o nthe set including Don Corleon (Sean Paul, Rihanna) who helmed the single “Rise On Top,”and Winta James, (Damian Marley, Chronixx), for “Settle Down Easy” and “City Life,” two songs that reflect a more confessional perspective. ~ David Jeffries

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UB40‘s Ali and Astro & Shaggy – MECU Pavilion, Baltimore, MD

and at MECU Pavilion on Wednesday, September 04, 2019. MECU Pavilion isets are available now. Enjoy UB40 at a venue near you! Dont miss the opportunity to see UB40 perform live in 2019. located at 731 Eastern Ave in Baltimore, MD

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Find tickets for Cardi B in Indianapolis, Indiana at Bankers Life Fieldhouse on Wednesday, September 11, 2019. Bankers Life Fieldhouse is located at 125 S. Pennsylvania St. in Indianapolis, IN.

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A Sunday with Clinton Fearon #8
LIVE STREAMING

Like many reggae musicians who came of age in the late 1960s and early ’70s, Clinton Fearon was a country boy who migrated to Kingston as a teenager in order to seek his musical fortune among the proliferating studios and sound systems of the big city. He was born in St. Andrew in 1951 and moved around the countryside with his father and stepmother before relocating to Kingston in 1967; he immediately organized a singing group with some friends, but it never amounted to anything and broke up before it could record. It was around 1970, when he joined Albert Griffiths and Errol Grandison to form the Gladiators, that he hit his stride as a musician and began what would be the most significant and commercially successful association of his career.
Grandison quit the group fairly early in its career and was replaced by Gallimore Sutherland and with this lineup, the Gladiators became mainstays at the famous Studio One, where they recorded highly religious songs of their own as well as backing up such top-ranked artists as Stranger Cole and Burning Spear. Around 1974, the group began working with the infamous Lee “Scratch” Perry at his Black Ark studio, where again they recorded on their own as well as backing up other artists, notably the enigmatic singer Vivian “Yabby U” Jackson. Fearon, who by this time was an accomplished bass player as well as a gifted singer and songwriter, was put to especially heavy use in the studio, recording numerous basslines for other artists and rarely getting any credit, or even regular payment for his services. His bass is the one heard on Perry’s strange and wonderful “Roast Fish and Cornbread,” as well as many other Black Ark recordings for which the session notes are long gone.
In the late ’80s he emigrated to the United States, settling in Seattle, where he organized the relatively short-lived Defenders band. The group recorded one EP before breaking up. In 1993, he formed his current ensemble, the Boogie Brown Band, which has recorded four albums: Disturb the Devil, Mystic Whisper, What a System, and Soon Come. ~ Rick Anderson

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