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Find tickets for Shawn Mendes in Vancouver, British Columbia at Rogers Arena on Friday, June 14, 2019. Rogers Arena is located at 800 Griffiths Way in Vancouver, BC
Find tickets for Shawn Mendes in Vancouver, British Columbia at Rogers Arena on Friday, June 14, 2019. Rogers Arena is located at 800 Griffiths Way in Vancouver, BC
After making his introduction as a sensitive, acoustic-styled songwriter on 2001’s Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. Arriving during the tail-end of teen pop’s heyday, he crafted pop music for a more discerning audience, spiking his songcraft with jazz chords and literate turns of phrase. The combination proved to be quite popular, as Room for Squares went triple-platinum before its follow-up release, Heavier Things, arrived in September 2003. Mayer continued to retool his sound with each album, however, moving beyond the material that had launched his career and adopting elements of rock, blues, and soul. Moreover, he partnered with legends of several genres, making guest appearances on albums by Buddy Guy, Eric Clapton, and B.B. King, while touring alongside jazz icon Herbie Hancock. Mayer also retained enough pop/rock foundation to continue his reign of the charts, making him one of the decade’s most popular songwriters.
Born in Bridgeport, Connecticut, and raised in the nearby town of Fairfield, Mayer began playing blues as a teenager. By 1997, his skill on the electric guitar was enough to warrant admission into the Berklee College of Music, although Mayer dropped out after two semesters to pursue a songwriting career in Atlanta. Working alongside former classmate Clay Cook, he frequented the local coffeehouse circuit and began co-writing material that melded palatable pop/rock with unexpected flourishes. Cook and Mayer parted ways shortly thereafter, however, with Cook joining the Marshall Tucker Band’s touring lineup for several years. Now a solo artist by default, Mayer recorded several of the duo’s songs, packaged them alongside a handful of his own compositions, and self-released the EP in 1999 under the title Inside Wants Out … more @ Apple Music
After making his introduction as a sensitive, acoustic-styled songwriter on 2001’s Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. Arriving during the tail-end of teen pop’s heyday, he crafted pop music for a more discerning audience, spiking his songcraft with jazz chords and literate turns of phrase.
The combination proved to be quite popular, as Room for Squares went triple-platinum before its follow-up release, Heavier Things, arrived in September 2003. Mayer continued to retool his sound with each album, however, moving beyond the material that had launched his career and adopting elements of rock, blues, and soul. Moreover, he partnered with legends of several genres, making guest appearances on albums by Buddy Guy, Eric Clapton, and B.B. King, while touring alongside jazz icon Herbie Hancock. Mayer also retained enough pop/rock foundation to continue his reign of the charts, making him one of the decade’s most popular songwriters.
Born in Bridgeport, Connecticut, and raised in the nearby town of Fairfield, Mayer began playing blues as a teenager. By 1997, his skill on the electric guitar was enough to warrant admission into the Berklee College of Music, although Mayer dropped out after two semesters to pursue a songwriting career in Atlanta. Working alongside former classmate Clay Cook, he frequented the local coffeehouse circuit and began co-writing material that melded palatable pop/rock with unexpected flourishes.
Cook and Mayer parted ways shortly thereafter, however, with Cook joining the Marshall Tucker Band’s touring lineup for several years. Now a solo artist by default, Mayer recorded several of the duo’s songs, packaged them alongside a handful of his own compositions, and self-released the EP in 1999 under the title Inside Wants Out … more @ Apple Music
Find tickets for Chance The Rapper in San Francisco, California at Chase Center on Saturday, September 14, 2019. Chase Center is located at South St. & Terry A Francois Blvd in San Francisco, CA
After making his introduction as a sensitive, acoustic-styled songwriter on 2001’s Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. Arriving during the tail-end of teen pop’s heyday, he crafted pop music for a more discerning audience, spiking his songcraft with jazz chords and literate turns of phrase.
The combination proved to be quite popular, as Room for Squares went triple-platinum before its follow-up release, Heavier Things, arrived in September 2003. Mayer continued to retool his sound with each album, however, moving beyond the material that had launched his career and adopting elements of rock, blues, and soul. Moreover, he partnered with legends of several genres, making guest appearances on albums by Buddy Guy, Eric Clapton, and B.B. King, while touring alongside jazz icon Herbie Hancock. Mayer also retained enough pop/rock foundation to continue his reign of the charts, making him one of the decade’s most popular songwriters.
Born in Bridgeport, Connecticut, and raised in the nearby town of Fairfield, Mayer began playing blues as a teenager. By 1997, his skill on the electric guitar was enough to warrant admission into the Berklee College of Music, although Mayer dropped out after two semesters to pursue a songwriting career in Atlanta. Working alongside former classmate Clay Cook, he frequented the local coffeehouse circuit and began co-writing material that melded palatable pop/rock with unexpected flourishes.
Cook and Mayer parted ways shortly thereafter, however, with Cook joining the Marshall Tucker Band’s touring lineup for several years. Now a solo artist by default, Mayer recorded several of the duo’s songs, packaged them alongside a handful of his own compositions, and self-released the EP in 1999 under the title Inside Wants Out … more @ Apple Music
Find tickets for NBA Preseason: Golden State Warriors vs. Los Angeles Lakers in San Francisco, California at Chase Center on Saturday, October 05, 2019. Chase Center is located at South St. & Terry A Francois Blvd in San Francisco, CA
Find tickets for Billie Eilish in Philadelphia, Pennsylvania at Wells Fargo Center – PA on Friday, March 13, 2020.Wells Fargo Center – PA is located at 3601 South Broad Street in Philadelphia, PA
About Billie Eilish
When singer-songwriter Billie Eilish feels something new, the first thing she does is take out her phone and write it down. “You can write anything,” she told Apple Music in an interview for the Up Next series. “You can say the truth, and you can not tell anyone that it’s the truth—you can just write it, and it’ll be yours.” Raised and homeschooled in Los Angeles by actor/musician parents, Eilish (born Billie Eilish Pirate Baird O’Connell in 2001) started writing songs when she was around 11, exploring a strain of melancholy, minimal, and slightly surrealistic pop influenced as much by Lana Del Rey as the radical honesty of rappers like Tyler, the Creator and Earl Sweatshirt.
Writing and recording with her brother—and producer—Finneas O’Connell at their parents’ house, Eilish released dont smile at me in 2017, followed by an ever-evolving series of singles—a prime example of the fact that, in the streaming era, artists are now free to move directly from their bedrooms into the spotlight. Despite the attention, Eilish is doing her best to stake out a space of freedom and fluidity, expanding her range of collaborators (Vince Staples, Khalid) and dodging easy definition. “If people think I have a sound, if people are like, ‘Oh yeah, her sound is this,’ if someone asks you what my sound is and you have an answer for them—you’re wrong,” she told Beats 1’s Zane Lowe. “Instead of trying to find a sound, when I want to make something and when I have an idea of what I want to make, I’m just going to make that.”
Find tickets for Billie Eilish in Washington, District Of Columbia at Capital One Arena on Wednesday, March 18, 2020.Capital One Arena is located at 601 F Streets NW in Washington, DC
About Billie Eilish
When singer-songwriter Billie Eilish feels something new, the first thing she does is take out her phone and write it down. “You can write anything,” she told Apple Music in an interview for the Up Next series. “You can say the truth, and you can not tell anyone that it’s the truth—you can just write it, and it’ll be yours.” Raised and homeschooled in Los Angeles by actor/musician parents, Eilish (born Billie Eilish Pirate Baird O’Connell in 2001) started writing songs when she was around 11, exploring a strain of melancholy, minimal, and slightly surrealistic pop influenced as much by Lana Del Rey as the radical honesty of rappers like Tyler, the Creator and Earl Sweatshirt.
Writing and recording with her brother—and producer—Finneas O’Connell at their parents’ house, Eilish released dont smile at me in 2017, followed by an ever-evolving series of singles—a prime example of the fact that, in the streaming era, artists are now free to move directly from their bedrooms into the spotlight. Despite the attention, Eilish is doing her best to stake out a space of freedom and fluidity, expanding her range of collaborators (Vince Staples, Khalid) and dodging easy definition. “If people think I have a sound, if people are like, ‘Oh yeah, her sound is this,’ if someone asks you what my sound is and you have an answer for them—you’re wrong,” she told Beats 1’s Zane Lowe. “Instead of trying to find a sound, when I want to make something and when I have an idea of what I want to make, I’m just going to make that.”
A Sunday with Clinton Fearon #8
LIVE STREAMING
Like many reggae musicians who came of age in the late 1960s and early ’70s, Clinton Fearon was a country boy who migrated to Kingston as a teenager in order to seek his musical fortune among the proliferating studios and sound systems of the big city. He was born in St. Andrew in 1951 and moved around the countryside with his father and stepmother before relocating to Kingston in 1967; he immediately organized a singing group with some friends, but it never amounted to anything and broke up before it could record. It was around 1970, when he joined Albert Griffiths and Errol Grandison to form the Gladiators, that he hit his stride as a musician and began what would be the most significant and commercially successful association of his career.
Grandison quit the group fairly early in its career and was replaced by Gallimore Sutherland and with this lineup, the Gladiators became mainstays at the famous Studio One, where they recorded highly religious songs of their own as well as backing up such top-ranked artists as Stranger Cole and Burning Spear. Around 1974, the group began working with the infamous Lee “Scratch” Perry at his Black Ark studio, where again they recorded on their own as well as backing up other artists, notably the enigmatic singer Vivian “Yabby U” Jackson. Fearon, who by this time was an accomplished bass player as well as a gifted singer and songwriter, was put to especially heavy use in the studio, recording numerous basslines for other artists and rarely getting any credit, or even regular payment for his services. His bass is the one heard on Perry’s strange and wonderful “Roast Fish and Cornbread,” as well as many other Black Ark recordings for which the session notes are long gone.
In the late ’80s he emigrated to the United States, settling in Seattle, where he organized the relatively short-lived Defenders band. The group recorded one EP before breaking up. In 1993, he formed his current ensemble, the Boogie Brown Band, which has recorded four albums: Disturb the Devil, Mystic Whisper, What a System, and Soon Come. ~ Rick Anderson
Much can be said about the late Amy Winehouse, one of the U.K.’s flagship vocalists during the 2000s. The British press and tabloids seemed to focus on her rowdy behavior, heavy consumption of alcohol, and tragic end, but fans and critics alike embraced her rugged charm, brash sense of humor, and distinctively soulful and jazzy vocals. Her platinum-selling breakthrough album, Frank (2003), elicited comparisons ranging from Billie Holiday and Sarah Vaughan to Macy Gray and Lauryn Hill. Interestingly enough, despite her strong accent and vernacular, one can often hear aspects of each of those singers’ vocal repertoires in Winehouse’s own voice. Nonetheless, her allure had always been her songwriting — almost always deeply personal but best known for its profanity and brutal candor.
Born to a taxi-driving father and a pharmacist mother, Winehouse grew up in the Southgate area of northern London. Her upbringing was surrounded by jazz. Many of the uncles on her mother’s side were professional jazz musicians, and even her paternal grandmother was romantically involved with British jazz legend Ronnie Scott at one time. While at home, she listened to and absorbed her parents’ selection of greats: Dinah Washington, Ella Fitzgerald, and Frank Sinatra among others. However, in her teens, she was drawn to the rebellious spirit of TLC, Salt-N-Pepa, and other American R&B and hip-hop acts of the time. At the age of 16, after she had been expelled from London’s Sylvia Young Theatre School, she caught her first break when pop singer Tyler James, a schoolmate and close friend, passed on her demo tape to his A&R representative, who was searching for a jazz vocalist. That opportunity led to her recording contract with Island Records. By the end of 2003, when she was 20 years old, Island had released her debut album, Frank. With contributions from hip-hop producer/keyboardist Salaam Remi, Winehouse’s amalgam of jazz, pop, soul, and hip-hop received rave reviews. The album was nominated for the 2004 Mercury Music Prize as well as two Brit Awards, and its lead single, “Stronger Than Me,” won an Ivor Novello Award for Best Contemporary Song.
Following Winehouse’s debut, the accolades and inquiring interviews appeared concurrently in the press with her tempestuous public life. Several times she showed up to her club or TV performances too drunk to sing an entire set. In 2006, her management company finally suggested that she enter rehab for alcohol abuse, but instead, she dumped the company and transcribed the ordeal into the U.K. Top Ten hit “Rehab,” the lead single for her second, critically acclaimed album, Back to Black. Containing evocative productions from Salaam Remi and British DJ/multi-instrumentalist Mark Ronson, the album somewhat abandoned jazz, delving into the sounds of ’50s/’60s-era girl group harmonies, rock & roll, and soul. The fanfare over the release was so great that it started to spill over onto U.S. shores; several rappers and DJs made their own remixes of various songs, not to mention covers by Prince and the Arctic Monkeys.One month after Winehouse won Best Female Artist at the Brit Awards in February 2007, Universal released Back to Black in the U.S. The LP charted higher than any other American debut by a British female recording artist before it, and it remained in the Top Ten for several months, selling a million copies by the end of that summer. Just as in the U.K., she became the talk of the town, landing on the covers of Rolling Stone and Spin magazines. Not long afterward, though, Winehouse canceled her North American tour. Early reports revealed that she was entering rehab for alcohol and drug addiction, but her new management denied the claims, stating it was due to severe exhaustion. Her erratic behavior kept her and her new husband, Blake Fielder-Civil, in the tabloids constantly, on and off stages on both sides of the Atlantic, but in late 2007, American fans were finally given a chance to hear Winehouse’s early work, with a slightly abbreviated (two songs removed and one added) version of Frank.
Unfortunately, the next four years were filled with drama, disappointment, and very little music. By 2009, her marriage had ended in divorce, she had repeatedly been arrested on assault charges and/or public order offenses, her struggles with substance abuse and mental health issues tragically played out in the press. Public performances turned into incoherent disasters, the worst of them posted to video-sharing sites for all to see. A track on the Quincy Jones tribute Q: Soul Bossa Nostra appeared in 2010, while a duet with Tony Bennett was announced in early 2011, but a planned follow-up to Back to Black would never make it past the demo stage. Winehouse was found dead in her Camden, London apartment on July 23, 2011. The coroner’s report, delivered three months later, revealed that her blood alcohol content had reached a potentially fatal level.Nearly two months after her death, Winehouse’s first posthumous appearance was released on Tony Bennett’s Duets II, where she duetted with him on “Body and Soul.” Near the end of 2011, her family’s foundation announced the release of Lioness: Hidden Treasures, a posthumous compilation featuring recordings from throughout her career (although a few of the arrangements were recorded after her death). A year after Lioness came At the BBC, a deluxe CD/DVD set — available both as a four-disc box and a smaller two-disc compilation — rounding up all of her live performances for the British Broadcasting Company.
In the summer of 2015, Amy, a documentary by director Asif Kapadia, told her story through photographs, archival footage (in the studio and out), and music. Much of this media had not been available previously. It also contained interviews with friends, family, musical collaborators, and the late singer. That October, a soundtrack was issued that alternated previously released and unreleased Winehouse material with pieces from the film’s score. ~ Cyril Cordor
liveMeet Clark Kent. Sent to Earth as an infant from the dying planet Krypton, he arrived with as many questions as the number of light-years he traveled. Now a young man, he makes his living in Metropolis as an intern at the Daily Planet – alongside reporter Lois Lane – while secretly wielding his alien powers of flight, super-strength and x-ray vision in the battle for good. Follow the fledgling hero as he engages in bloody battles with intergalactic bounty hunter Lobo and before fighting for his life with the alien Parasite. The world will learn about Superman…but first, Superman must save the world!
The Vanished
An idyllic family vacation turns into a living nightmare for parents Paul (Thomas Jane) and Wendy (Anne Heche) when their young daughter disappears without a trace. When the local sheriff (Jason Patric) fails to chase down any new leads, the frantic parents have no choice but to take matters into their own hands. As tensions mount and the list of suspects grows, the search for the truth leads to a shocking revelation where nothing is what it seems in this gripping psychological thriller.
– Leigh Whannell
What you can’t see can hurt you. Emmy winner Elisabeth Moss (Us, Hulu’s The Handmaid’s Tale) stars in a terrifying modern tale of obsession inspired by Universal’s classic monster character. Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister (Harriet Dyer, NBC’s The InBetween), their childhood friend (Aldis Hodge, Straight Outta Compton) and his teenage daughter (Storm Reid, HBO’s Euphoria). But when Cecilia’s abusive ex (Oliver Jackson-Cohen, Netflix’s The Haunting of Hill House) commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.
Ignore the tabloid drama and what you have in Canada-born pop idol Justin Bieber is a talented, naturally charming young guy figuring life out in public. Even during his early years, there was the sense that he might be able to transition to adulthood without too many artistic knocks, balancing family-friendly material with earnest attempts at hip-hop, R&B, and dance music that allowed him to grow with his audience instead of getting trapped in teen-pop amber. This playlist collects the very best of Bieber, from doe-eyed cuddle bunny to rebellious playboy to reflective married man—shades of maturity, cast in sound.
Lil Baby
Mississippi Coast Coliseum, Biloxi, MS
Compared to some of his Atlanta peers (Gunna, Migos, early booster Young Thug), Lil Baby is a chiller: He shrugs off fashion shows, he doesn’t have tattoos (he doesn’t want business partners from the white world thinking he’s something he isn’t), and even when he boasts, he keeps it low-key. (“I never call myself a G.O.A.T.,” he raps on “Emotionally Scarred,” “I leave that love to the people.”) But the tracks here also speak to a sense of lyricism and intensity that has made him one of the steadiest, most compelling voices in the new chapter of trap—and the 2020 Apple Music Awards’ Artist of the Year. Sometimes nothing speaks louder than staying quiet.
Wu-Tang were the first of its kind. A nine-man group comprised of RZA, GZA, Method Man, Ol’ Dirty Bastard, Raekwon, Ghostface Killah, Inspectah Deck, U-God, and Masta Killa, they signed to Loud Records as a group but members had solo deals of their own. Their epic debut, Enter the Wu-Tang (36 Chambers), was part of a wave of East Coast classics that helped bring New York hip-hop back to prominence in 1993 and 1994. Their sophomore LP, Wu-Tang Forever—released following a streak of seminal solo LPs from Raekwon, GZA, and Ghostface—was certified four times platinum. The clan was dealt a devastating blow when Ol’ Dirty died of a drug overdose in 2004. Wu members mostly focus on solo material these days, but they reunited to release new music in 2013.
Find tickets for Doja Cat in Brooklyn, NY at Coney Art Walls on July 04, 2021.
Coney Art Walls is located in Brooklyn, NY
Doja Cat’s fierce style, sweet singing voice, and hard-edged rapping catapulted her to the top of the pops as the 2020s began. Her uncanny ability to add high-concept hooks—the extended “oooh”-ing that gives “Mooo!” its bovine appeal, the runway-ready chorus of “Boss Bitch”—to undeniably catchy pop confections helped, too. Doja’s breakout hit “Say So” gleams and bounces like a freshly blown bubble; her earlier single “Candy” pairs sulking with innuendo and knotty synths; and her collaborations with high-flying MCs like Gucci Mane and Rico Nasty prove that she can hang on record with hip-hop’s biggest names.
Find tickets for The Stadium Tour in Chicago, IL at Wrigley Field on July 08, 2022.
Wrigley Field is located in Chicago, IL
Dave Matthews Band Tickets
Set in 1964 Chicago, “Cooley High” is a slice-of-life tale of two high school students–best friends–coping with the challenges of everyday life and growing up in the shadows of the housing projects. Glynn Turman and Laurence-Hilton Jacobs star.
– watch movie free with ads
Nacho Libre
Jack Black is at his comic best as Ignacio, a disrespected cook at a Mexican monastery that can barely afford to feed the orphans who live there. Inspired by a local wrestling hero, he decides to moonlight as the not-so-famous Luchador “Nacho Libre” to earn money for the monastery — not to mention the admiration of beautiful nun Sister Encarnacion.
The Switch
MOVIE ∙ COMEDY ∙ 2010
Jennifer Aniston stars alongside Jason Bateman in this offbeat comedy as Kassie, a smart, fun-loving single woman who, despite her neurotic best friend Wally’s (Bateman) objections, decides it’s time to have a baby – even if it means doing it herself…with a little help from a charming sperm donor (Patrick Wilson). But, unbeknownst to her, Kassie’s plans go awry because of a last-minute switch that isn’t discovered until seven years later…when Wally gets acquainted with Kassie’s cute – though slightly neurotic – son. From the people behind LITTLE MISS SUNSHINE and JUNO comes THE SWITCH.
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MOVIE ∙ ADVENTURE ∙ 1984
A lonely young boy with a love of books becomes drawn into a timeless world of fabulous creatures — a world that only he can save from certain destruction — as he discovers that he is the hero of The Neverending Story.
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Following an emergency landing on a deserted island in the Pacific, young pilots, Tsukioka and Kobayashi, stumble into an epic clash between Godzilla and the monster, Anguirus. The giant beasts drag their battle into the ocean and soon resurface in Osaka, laying waste to the city in a fight to the death. As the threat of destruction mounts, Tsukioka and Kobayashi muster their courage for a final showdown with Godzilla.
Katy Perry upcoming The Theatre at Resorts World Las Vegas Tickets
She kissed a girl, she liked it, and the rest is history. Bounding into the zeitgeist in 2008 with her tribute to bi-curiosity, Katy Perry became pop’s version of a Hollywood superhero—a sparkly, neon Wonder Woman in Daisy Dukes with a gift for stadium-sized hooks. Few artists have so many era-defining hits: There are sunny, eyelash-batting flirtations (“Teenage Dream,” “California Gurls”), larger-than-life empowerment anthems (“Firework,” “Roar”), EDM bangers (“Dark Horse”), bubbly ballads (“Birthday”), and songs that get people dancing on tables (“Last Friday Night [T.G.I.F.]”). Even her darkest moments are rendered with unshakable optimism; her 2020 album Smile, which details her struggles with fame, marriage, and mental health, is full of disco-fied synths and resolve. Her entire rainbow catalog is now available in Spatial Audio, and here you’ll find our can’t-miss selections.
Katy Perry upcoming The Theatre at Resorts World Las Vegas Tickets
She kissed a girl, she liked it, and the rest is history. Bounding into the zeitgeist in 2008 with her tribute to bi-curiosity, Katy Perry became pop’s version of a Hollywood superhero—a sparkly, neon Wonder Woman in Daisy Dukes with a gift for stadium-sized hooks. Few artists have so many era-defining hits: There are sunny, eyelash-batting flirtations (“Teenage Dream,” “California Gurls”), larger-than-life empowerment anthems (“Firework,” “Roar”), EDM bangers (“Dark Horse”), bubbly ballads (“Birthday”), and songs that get people dancing on tables (“Last Friday Night [T.G.I.F.]”). Even her darkest moments are rendered with unshakable optimism; her 2020 album Smile, which details her struggles with fame, marriage, and mental health, is full of disco-fied synths and resolve. Her entire rainbow catalog is now available in Spatial Audio, and here you’ll find our can’t-miss selections.
Katy Perry upcoming The Theatre at Resorts World Las Vegas Tickets
She kissed a girl, she liked it, and the rest is history. Bounding into the zeitgeist in 2008 with her tribute to bi-curiosity, Katy Perry became pop’s version of a Hollywood superhero—a sparkly, neon Wonder Woman in Daisy Dukes with a gift for stadium-sized hooks. Few artists have so many era-defining hits: There are sunny, eyelash-batting flirtations (“Teenage Dream,” “California Gurls”), larger-than-life empowerment anthems (“Firework,” “Roar”), EDM bangers (“Dark Horse”), bubbly ballads (“Birthday”), and songs that get people dancing on tables (“Last Friday Night [T.G.I.F.]”). Even her darkest moments are rendered with unshakable optimism; her 2020 album Smile, which details her struggles with fame, marriage, and mental health, is full of disco-fied synths and resolve. Her entire rainbow catalog is now available in Spatial Audio, and here you’ll find our can’t-miss selections.
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