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KwasiAfrica Promotions & Damusichits.com presents …
Pre Thanksgiving Reggae Bash in Everett feat Selassie I Soldier, DJ OneLove
A night of Roots & Culture Reggae on the North side. Kick off your Thanksgiving weekend with something new and special Everett – Snohomish County peeps. This pre-Thanksgiving, folks will be coming from Seattle to party in EVERETT.
Selassie I Soldier
Alex Kajumulo and The Bushman Sound
DJ OneLove – Kwasiafrica
All Ages until 10:30
Free for children12 and under
$10
Seattle Reggae
Everett Reggae
Seattle Concerts
Seattle Live Music Network
One Love Productions (Seattle)
Reggae Concerts Upcoming Group
::VENUE: Everett’s Finest Tony V’s!
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Check out: Top Reggae Charts by iTunes
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Ndombolo! Seattle African Club Party with OneLove by DaMusicHits | Shelter Lounge
Damusichits Presents … Ndombolo! Afro-Caribbean House and Funk Music Party by DJ OneLove – Kwasiafrica (Ndombolo).
21+
Join on FaceBook
Sample Playlist Spotify: https://spoti.fi/2yONpb9
Ndombolo African Dance Music
KwasiAfrica Promotions
damusichits.com/african-music/
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Find tickets for Trippie Redd
in Seattle, Washington at Showbox SoDo on Thursday, February 28, 2019. Showbox SoDo is located at 1700 1st Ave S in Seattle, WA
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Reji Marc at El Corazon
Reji Marc
FRIDAY MAY 17
Reji Marc
Fast Nasties
One Step From Everywhere
DOORS: 8:00 PM / SHOW: 8:30 PM
EL CORAZON
THIS EVENT IS 21 AND OVER
TICKETS $8.00 – $10.00
on Facebook
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Find tickets for Digable Planets in Seattle, Washington at The Neptune Theatre on Friday, August 09, 2019. The Neptune Theatre is located at 911 Pine Street in Seattle, WA
About Digable Planets
Digable Planets
Hip-Hop/Rap
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Find tickets for The Rolling Stones in Seattle, Washington at CenturyLink Field on Wednesday, August 14, 2019. CenturyLink Field is located at 800 Occidental Ave South in Seattle, WA
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Celine Dion on Apple Music
Find tickets for Celine Dion in Boston, Massachusetts at TD Garden on Friday, December 13, 2019.
TD Garden is located at 100 Legends Way in Boston, MA
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Celine Dion on Apple Music
Find tickets for Celine Dion in Boston, Massachusetts at TD Garden on Friday, December 13, 2019.
TD Garden is located at 100 Legends Way in Boston, MA
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Brandi Carlile via Apple Music
Find tickets for Brandi Carlile in Seattle, Washington at Benaroya Hall – Mark Taper Foundation Auditorium on Friday, February 21, 2020. Benaroya Hall – Mark Taper Foundation Auditorium is located at 200 University Street in Seattle, WA
About Brandi Carlile
A literate singer/songwriter whose music splits the difference between pop/rock and folksy Americana, Brandi Carlile was born in the small town of Ravensdale, Washington, an isolated community 50 miles from Seattle. With few neighbors or friends nearby, she grew up learning to make her own entertainment, which included hiking trips in the nearby woods and self-taught vocal lessons. Carlile also grew attached to the classic country music her parents doted on, specifically Patsy Cline, and she made her stage debut at the age of eight after she was taken to a local country radio show by her mother. At 17, Carlile picked up the guitar, having developed a taste for rock & roll through Elton John’s classic albums of the ’70s, and began hitting the Seattle bar scene, playing anywhere she could get a gig (including a stint singing backup for an Elvis Presley tribute act).
While playing clubs, she encountered a band called the Fighting Machinists, featuring twin brothers Tim and Phil Hanseroth. Impressed by their instrumental skills and spot-on harmonies, Carlile became an instant fan of the band, and when the group broke up, she persuaded the Hanseroth twins to form a new group with her. While they started out as an aggressive rock & roll band, Carlile’s emotionally powerful songwriting and acoustic guitar work soon became the dominant component of their sound, and they began touring regularly, headlining small venues and opening shows for Dave Matthews, Shawn Colvin, and India.Arie.
In 2000, Carlile recorded the first of several self-released recordings that sold briskly at shows. By 2005, she’d gained enough buzz to secure a contract with Columbia Records, which released her self-titled debut later that same year. The album earned enthusiastic reviews, and Carlile was named one of 2005’s “Artists to Watch” by Rolling Stone. In 2006, Carlile and her band began work on her second Columbia album, The Story, with T-Bone Burnett producing. The record was released in spring 2007 to warm reviews, and the inclusion of its title track in several commercials (most notably a General Motors ad that aired during the 2008 Beijing Olympics) helped boost sales. Give Up the Ghost followed in late 2009 and cracked the Top 40, featuring production from another high-caliber studio hand, Rick Rubin, as well as a duet with childhood idol Elton John.
Carlile rang in 2010 by issuing a Valentine’s Day-themed EP, XOBC. She also continued to tour, making a well-received stop at the annual Bonnaroo Festival that summer and collaborating with the Seattle Symphony for two shows in November. The symphonic concerts were recorded and released the following year as Live at Benaroya Hall. In 2012, Carlile returned with the album Bear Creek, featuring production from Grammy Award-winning mixer/producer/engineer Trina Shoemaker. Taking its title from the Washington recording studio in which the album was recorded, Bear Creek included the leadoff single “That Wasn’t Me.” Carlile returned to Bear Creek Studios to put together her follow-up, The Firewatcher’s Daughter. Opting for a loose and live feel for the album, it was recorded almost without demo’ing any of the songs or overdubs. The album appeared the first week of March 2015.
In 2017, Carlile commemorated the tenth anniversary of The Story by assembling a star-studded charity album for War Child, Cover Stories: Brandi Carlile Celebrates 10 Years of the Story. Inspired by an Adele cover of “Hiding My Heart,” the album also featured Dolly Parton, Pearl Jam, Kris Kristofferson, Jim James, and the Avett Brothers, among others. Carlile returned with her sixth studio album, the Dave Cobb and Shooter Jennings co-production By the Way I Forgive You, in February 2018 — the LP became Carlile’s highest-charting outing to date. In October 2018, she teamed up with English singer/songwriter Sam Smith for a lush orchestral version of album-closer “Party of One.” In December 2018, she received six Grammy nominations, including three of the biggest categories: Album of the Year, Record of the Year, and Song of the Year. Carlile took home three trophies: By The Way, I Forgive You won Best Americana Album, while “The Joke” scored Best American Roots Song and Best American Roots Performance. ~ Mark Deming
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Find Davido US Tour Concert Tickets
Davido via Apple Music
Find tickets for Davido in Seattle, Washington at The Neptune Theatre on Monday, March 02, 2020.
About Davido
Nigerian vocalist/producer Davido was born David Adedeji Adeleke in Atlanta, Georgia in 1992. His interest in music began while attending Oakwood University in his late teens, and he started making his own beats and investigating music production. He dropped out of school and began pursuing music full-time, relocating to Lagos, Nigeria and releasing his debut single, “Back When,” in 2011. The single received some attention for its mix of clubby production, high-energy vocals, and Afro-pop rhythms, and was followed shortly by second single “Dami Duro.” Work began on his debut album, Omo Baba Olowo, which was released in 2012 and produced a plethora of singles. Success came quickly for Davido, and he sated his fans with a string of new tracks released over the next several years while work was being done on follow-up album The Baddest. Between 2013 and 2017, singles like “Gobe,” “Aye,” and “Pere” (among many others) piled up, sometimes featuring collaborations with bigger-name rappers like Meek Mill or Young Thug. In the time between albums, Davido also inked a deal with RCA and began his own label, although The Baddest still remained unreleased in mid-2017. ~ Fred Thomas
Top Afrobeat Charts>>>
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Celine Dion on Apple Music
Find tickets for Celine Dion in Tacoma, Washington at Tacoma Dome on Wednesday, April 15, 2020. Tacoma Dome is located at 2727 East D St in Tacoma, WA
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A Sunday with Clinton Fearon #8
LIVE STREAMING
You can share comments, ask questions and request songs during the live.
https://www.eventbrite.com/e/a-sunday-with-clinton-fearon-8-tickets-112736654368
.
Paypal http://www.paypal.me/clintonfearon | Venmo http://www.venmo.com/Clinton-Fearon
.
Merci de soutenir A Sunday with Clinton Fearon avec un don:
Paypal http://www.paypal.me/clintonfearon | Venmo http://www.venmo.com/Clinton-Fearon
Like many reggae musicians who came of age in the late 1960s and early ’70s, Clinton Fearon was a country boy who migrated to Kingston as a teenager in order to seek his musical fortune among the proliferating studios and sound systems of the big city. He was born in St. Andrew in 1951 and moved around the countryside with his father and stepmother before relocating to Kingston in 1967; he immediately organized a singing group with some friends, but it never amounted to anything and broke up before it could record. It was around 1970, when he joined Albert Griffiths and Errol Grandison to form the Gladiators, that he hit his stride as a musician and began what would be the most significant and commercially successful association of his career.
Grandison quit the group fairly early in its career and was replaced by Gallimore Sutherland and with this lineup, the Gladiators became mainstays at the famous Studio One, where they recorded highly religious songs of their own as well as backing up such top-ranked artists as Stranger Cole and Burning Spear. Around 1974, the group began working with the infamous Lee “Scratch” Perry at his Black Ark studio, where again they recorded on their own as well as backing up other artists, notably the enigmatic singer Vivian “Yabby U” Jackson. Fearon, who by this time was an accomplished bass player as well as a gifted singer and songwriter, was put to especially heavy use in the studio, recording numerous basslines for other artists and rarely getting any credit, or even regular payment for his services. His bass is the one heard on Perry’s strange and wonderful “Roast Fish and Cornbread,” as well as many other Black Ark recordings for which the session notes are long gone.
In the late ’80s he emigrated to the United States, settling in Seattle, where he organized the relatively short-lived Defenders band. The group recorded one EP before breaking up. In 1993, he formed his current ensemble, the Boogie Brown Band, which has recorded four albums: Disturb the Devil, Mystic Whisper, What a System, and Soon Come. ~ Rick Anderson
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Halsey & Kelsea Ballerini Perform ‘Without Me’
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Much can be said about the late Amy Winehouse, one of the U.K.’s flagship vocalists during the 2000s. The British press and tabloids seemed to focus on her rowdy behavior, heavy consumption of alcohol, and tragic end, but fans and critics alike embraced her rugged charm, brash sense of humor, and distinctively soulful and jazzy vocals. Her platinum-selling breakthrough album, Frank (2003), elicited comparisons ranging from Billie Holiday and Sarah Vaughan to Macy Gray and Lauryn Hill. Interestingly enough, despite her strong accent and vernacular, one can often hear aspects of each of those singers’ vocal repertoires in Winehouse’s own voice. Nonetheless, her allure had always been her songwriting — almost always deeply personal but best known for its profanity and brutal candor.
Born to a taxi-driving father and a pharmacist mother, Winehouse grew up in the Southgate area of northern London. Her upbringing was surrounded by jazz. Many of the uncles on her mother’s side were professional jazz musicians, and even her paternal grandmother was romantically involved with British jazz legend Ronnie Scott at one time. While at home, she listened to and absorbed her parents’ selection of greats: Dinah Washington, Ella Fitzgerald, and Frank Sinatra among others. However, in her teens, she was drawn to the rebellious spirit of TLC, Salt-N-Pepa, and other American R&B and hip-hop acts of the time. At the age of 16, after she had been expelled from London’s Sylvia Young Theatre School, she caught her first break when pop singer Tyler James, a schoolmate and close friend, passed on her demo tape to his A&R representative, who was searching for a jazz vocalist. That opportunity led to her recording contract with Island Records. By the end of 2003, when she was 20 years old, Island had released her debut album, Frank. With contributions from hip-hop producer/keyboardist Salaam Remi, Winehouse’s amalgam of jazz, pop, soul, and hip-hop received rave reviews. The album was nominated for the 2004 Mercury Music Prize as well as two Brit Awards, and its lead single, “Stronger Than Me,” won an Ivor Novello Award for Best Contemporary Song.
Following Winehouse’s debut, the accolades and inquiring interviews appeared concurrently in the press with her tempestuous public life. Several times she showed up to her club or TV performances too drunk to sing an entire set. In 2006, her management company finally suggested that she enter rehab for alcohol abuse, but instead, she dumped the company and transcribed the ordeal into the U.K. Top Ten hit “Rehab,” the lead single for her second, critically acclaimed album, Back to Black. Containing evocative productions from Salaam Remi and British DJ/multi-instrumentalist Mark Ronson, the album somewhat abandoned jazz, delving into the sounds of ’50s/’60s-era girl group harmonies, rock & roll, and soul. The fanfare over the release was so great that it started to spill over onto U.S. shores; several rappers and DJs made their own remixes of various songs, not to mention covers by Prince and the Arctic Monkeys.One month after Winehouse won Best Female Artist at the Brit Awards in February 2007, Universal released Back to Black in the U.S. The LP charted higher than any other American debut by a British female recording artist before it, and it remained in the Top Ten for several months, selling a million copies by the end of that summer. Just as in the U.K., she became the talk of the town, landing on the covers of Rolling Stone and Spin magazines. Not long afterward, though, Winehouse canceled her North American tour. Early reports revealed that she was entering rehab for alcohol and drug addiction, but her new management denied the claims, stating it was due to severe exhaustion. Her erratic behavior kept her and her new husband, Blake Fielder-Civil, in the tabloids constantly, on and off stages on both sides of the Atlantic, but in late 2007, American fans were finally given a chance to hear Winehouse’s early work, with a slightly abbreviated (two songs removed and one added) version of Frank.
Unfortunately, the next four years were filled with drama, disappointment, and very little music. By 2009, her marriage had ended in divorce, she had repeatedly been arrested on assault charges and/or public order offenses, her struggles with substance abuse and mental health issues tragically played out in the press. Public performances turned into incoherent disasters, the worst of them posted to video-sharing sites for all to see. A track on the Quincy Jones tribute Q: Soul Bossa Nostra appeared in 2010, while a duet with Tony Bennett was announced in early 2011, but a planned follow-up to Back to Black would never make it past the demo stage. Winehouse was found dead in her Camden, London apartment on July 23, 2011. The coroner’s report, delivered three months later, revealed that her blood alcohol content had reached a potentially fatal level.Nearly two months after her death, Winehouse’s first posthumous appearance was released on Tony Bennett’s Duets II, where she duetted with him on “Body and Soul.” Near the end of 2011, her family’s foundation announced the release of Lioness: Hidden Treasures, a posthumous compilation featuring recordings from throughout her career (although a few of the arrangements were recorded after her death). A year after Lioness came At the BBC, a deluxe CD/DVD set — available both as a four-disc box and a smaller two-disc compilation — rounding up all of her live performances for the British Broadcasting Company.
In the summer of 2015, Amy, a documentary by director Asif Kapadia, told her story through photographs, archival footage (in the studio and out), and music. Much of this media had not been available previously. It also contained interviews with friends, family, musical collaborators, and the late singer. That October, a soundtrack was issued that alternated previously released and unreleased Winehouse material with pieces from the film’s score. ~ Cyril Cordor
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Chuck Berry & John Lennon perform
Johnny B Good 
live
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Lil Baby
Mississippi Coast Coliseum, Biloxi, MS
Find tickets for Lil Baby in Biloxi, MS at Mississippi Coast Coliseum on June 19, 2021.
Mississippi Coast Coliseum is located in Biloxi, MS
Compared to some of his Atlanta peers (Gunna, Migos, early booster Young Thug), Lil Baby is a chiller: He shrugs off fashion shows, he doesn’t have tattoos (he doesn’t want business partners from the white world thinking he’s something he isn’t), and even when he boasts, he keeps it low-key. (“I never call myself a G.O.A.T.,” he raps on “Emotionally Scarred,” “I leave that love to the people.”) But the tracks here also speak to a sense of lyricism and intensity that has made him one of the steadiest, most compelling voices in the new chapter of trap—and the 2020 Apple Music Awards’ Artist of the Year. Sometimes nothing speaks louder than staying quiet.
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Find Tickets for Wu-Tang Clan Upcoming Concerts & Tickets
Wu-Tang were the first of its kind. A nine-man group comprised of RZA, GZA, Method Man, Ol’ Dirty Bastard, Raekwon, Ghostface Killah, Inspectah Deck, U-God, and Masta Killa, they signed to Loud Records as a group but members had solo deals of their own. Their epic debut, Enter the Wu-Tang (36 Chambers), was part of a wave of East Coast classics that helped bring New York hip-hop back to prominence in 1993 and 1994. Their sophomore LP, Wu-Tang Forever—released following a streak of seminal solo LPs from Raekwon, GZA, and Ghostface—was certified four times platinum. The clan was dealt a devastating blow when Ol’ Dirty died of a drug overdose in 2004. Wu members mostly focus on solo material these days, but they reunited to release new music in 2013.
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Find tickets for Doja Cat in Brooklyn, NY at Coney Art Walls on July 04, 2021.
Coney Art Walls is located in Brooklyn, NY
Doja Cat’s fierce style, sweet singing voice, and hard-edged rapping catapulted her to the top of the pops as the 2020s began. Her uncanny ability to add high-concept hooks—the extended “oooh”-ing that gives “Mooo!” its bovine appeal, the runway-ready chorus of “Boss Bitch”—to undeniably catchy pop confections helped, too. Doja’s breakout hit “Say So” gleams and bounces like a freshly blown bubble; her earlier single “Candy” pairs sulking with innuendo and knotty synths; and her collaborations with high-flying MCs like Gucci Mane and Rico Nasty prove that she can hang on record with hip-hop’s biggest names.
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Find tickets for The Stadium Tour in Chicago, IL at Wrigley Field on July 08, 2022.
Wrigley Field is located in Chicago, IL
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Dave Matthews Band Tickets
Find tickets for Dave Matthews Band in Gilford, NH at Bank of New Hampshire Pavilion on August 24, 2021.
Bank of New Hampshire Pavilion is located in Gilford, NH
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Watch Cooley High Now
Set in 1964 Chicago, “Cooley High” is a slice-of-life tale of two high school students–best friends–coping with the challenges of everyday life and growing up in the shadows of the housing projects. Glynn Turman and Laurence-Hilton Jacobs star.
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Bad Bunny in Seattle, WA at Climate Pledge Arena
Find tickets for Bad Bunny in Seattle, WA at Climate Pledge Arena on March 01, 2022.
Climate Pledge Arena is located in Seattle, WA
The inevitability of Bad Bunny’s rise to stardom seemed assured fairly early in his career. Singles like the punchy “Chambea” and the temperamental “Soy Peor” showed off the Puerto Rican rapper’s range and set the stage for an epic come-up. Between the trap-boogaloo hybrid hit “I Like It” with Cardi B, the reggaetón posse-cut kiss-off “Te Boté,” and “MIA” with Drake, the artist born Benito Antonio Martínez Ocasio became a global phenomenon. Transcending his reputation as a prolific singles act, his late 2018 full-length debut X 100PRE proved his aptitude as an album artist, a feat repeated threefold with an ambitious three-project run in 2020: YHLQMDLG, LAS QUE NO IBAN A SALIR, and EL ÚLTIMO TOUR DEL MUNDO. From the perreo love letter “Safaera” to the popwise ROSALÍA duet “LA NOCHE DE ANOCHE,” Bad Bunny never fails to reinforce his artistic and commercial prowess.
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New Orleans Jazz And Heritage Festival
Find tickets for New Orleans Jazz And Heritage Festival in New Orleans, LA at New Orleans Fair Grounds on April 29, 2022. New Orleans Fair Grounds is located in New Orleans, LA
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Find Taylor Swift Concert Tickets
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Taylor Swift Apple Music QR Code
To understand the colossal talents of Taylor Swift, flash back to where it all began: “Tim McGraw,” the then-16-year-old’s ode to her high school sweetheart. Plaintive, melodic, dense with rich imagery—the song, like the countless others she’s released since, is a view right into Swift’s soul. That is her gift: From the jaunty, melodic country of “Love Story” to the towering, hip-hop-infused pop of “Bad Blood” to her stellar 2019 duet with Brendon Urie “ME!,” Swift yanks you into her world with both hands, capturing the pain of a soured relationship or the triumph of moving to the big city with unbridled enthusiasm. And when she makes bold creative transformations, like declaring herself dead on “Look What You Made Me Do,” she does so with conviction and an acknowledgment that even though she’s only human, she’s the one in control.
More Taylor Swift Tickets =>>>
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Find Taylor Swift Concert Tickets
Find Tickets Now
Taylor Swift Apple Music QR Code
To understand the colossal talents of Taylor Swift, flash back to where it all began: “Tim McGraw,” the then-16-year-old’s ode to her high school sweetheart. Plaintive, melodic, dense with rich imagery—the song, like the countless others she’s released since, is a view right into Swift’s soul. That is her gift: From the jaunty, melodic country of “Love Story” to the towering, hip-hop-infused pop of “Bad Blood” to her stellar 2019 duet with Brendon Urie “ME!,” Swift yanks you into her world with both hands, capturing the pain of a soured relationship or the triumph of moving to the big city with unbridled enthusiasm. And when she makes bold creative transformations, like declaring herself dead on “Look What You Made Me Do,” she does so with conviction and an acknowledgment that even though she’s only human, she’s the one in control.
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