Counting Crows 2018 Tickets

H2>About Counting Crows

With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock and Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded its debut album, August and Everything After, with T-Bone Burnett. Released in the fall, it was a dark and somber record, driven by the morose lyrics and expressive vocals of Adam Duritz. The only uptempo song, “Mr. Jones,” became their ticket to stardom, and Counting Crows enjoyed a significant amount of success throughout the ’90s and beyond.

What made Counting Crows unique was how they were able to balance Duritz’s tortured lyrics with the sound of the late ’60s and early ’70s; it made them one of the few alternative bands to appeal to listeners who thought that rock & roll died in 1972. Recovering the Satellites followed in 1996, and “A Long December” was a Top Ten hit on both the Modern Rock and Adult Top 40 charts. The band issued the two-disc Across a Wire: Live in New York in 1998, and the following year saw the release of Counting Crows’ third studio album, This Desert Life. In the midst of recording and collaborating with Ryan Adams on his sophomore album, Gold, Duritz joined his band in the studio as well. The fruit of those sessions was the group’s Steve Lillywhite-produced fourth album, Hard Candy.

The next year saw the release of the best-of Films About Ghosts, and in 2004 Counting Crows reminded fans of their ability to write a hit single with “Accidentally in Love,” which appeared on the Shrek 2 soundtrack. Two years later, New Amsterdam: Live at Heineken Music Hall, recorded from a show on February 6, 2003, was made available to the public. In 2008 the band issued Saturday Nights and Sunday Mornings, a concept record divided into two halves: the more rowdy, upbeat rock of Saturday night soundtracks and the mellow alt-country side of Sunday morning hangovers.

In 2009 the band parted ways with its longtime major-label home Geffen Records, but continued to tour and write new material as feverishly as ever. Duritz struggled with mental problems and prescription drug addiction following the split with Geffen, working on solo material that he released in part online. August and Everything After: Live at Town Hall, the band’s third official live album, was released in 2011. To tide fans over until the release of an album of new material, the band offered up a collection of cover songs entitled Underwater Sunshine (Or What We Did on Our Summer Vacation) in 2012 and yet another live album, Echoes of the Outlaw Roadshow, the following year. While touring in 2013 the group started to write material for what would become its seventh album. Recorded at the end of 2013 with producer Brian Deck, Somewhere Under Wonderland saw release in September 2014. ~ Stephen Thomas Erlewine | Apple Music

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Radiohead
Fri
Jul 6
7:30PM
United Center, Chicago, IL Tickets

About Radiohead

At some point in the early 21st century, Radiohead became something more than a band: they became a touchstone for everything that is fearless and adventurous in rock, inheriting the throne from David Bowie, Pink Floyd, and the Talking Heads. The latter group gave the band its name — it’s an album track on 1986’s True Stories — but Radiohead never sounded much like the Heads, nor did they take much from Bowie apart from their willingness to experiment. Instead, they spliced Floyd’s spaciness with U2’s messianic arena-rock heft, bridging the gap with guitar skronk borrowed from the ’80s … more @ Apple Music

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Toto
Humphreys Concerts By The Bay, San Diego, CA
Tue
Aug 7
7:30PM

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Counting Crows 2018 Tickets

H2>About Counting Crows

With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock and Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded its debut album, August and Everything After, with T-Bone Burnett. Released in the fall, it was a dark and somber record, driven by the morose lyrics and expressive vocals of Adam Duritz. The only uptempo song, “Mr. Jones,” became their ticket to stardom, and Counting Crows enjoyed a significant amount of success throughout the ’90s and beyond.

What made Counting Crows unique was how they were able to balance Duritz’s tortured lyrics with the sound of the late ’60s and early ’70s; it made them one of the few alternative bands to appeal to listeners who thought that rock & roll died in 1972. Recovering the Satellites followed in 1996, and “A Long December” was a Top Ten hit on both the Modern Rock and Adult Top 40 charts. The band issued the two-disc Across a Wire: Live in New York in 1998, and the following year saw the release of Counting Crows’ third studio album, This Desert Life. In the midst of recording and collaborating with Ryan Adams on his sophomore album, Gold, Duritz joined his band in the studio as well. The fruit of those sessions was the group’s Steve Lillywhite-produced fourth album, Hard Candy.

The next year saw the release of the best-of Films About Ghosts, and in 2004 Counting Crows reminded fans of their ability to write a hit single with “Accidentally in Love,” which appeared on the Shrek 2 soundtrack. Two years later, New Amsterdam: Live at Heineken Music Hall, recorded from a show on February 6, 2003, was made available to the public. In 2008 the band issued Saturday Nights and Sunday Mornings, a concept record divided into two halves: the more rowdy, upbeat rock of Saturday night soundtracks and the mellow alt-country side of Sunday morning hangovers.

In 2009 the band parted ways with its longtime major-label home Geffen Records, but continued to tour and write new material as feverishly as ever. Duritz struggled with mental problems and prescription drug addiction following the split with Geffen, working on solo material that he released in part online. August and Everything After: Live at Town Hall, the band’s third official live album, was released in 2011. To tide fans over until the release of an album of new material, the band offered up a collection of cover songs entitled Underwater Sunshine (Or What We Did on Our Summer Vacation) in 2012 and yet another live album, Echoes of the Outlaw Roadshow, the following year. While touring in 2013 the group started to write material for what would become its seventh album. Recorded at the end of 2013 with producer Brian Deck, Somewhere Under Wonderland saw release in September 2014. ~ Stephen Thomas Erlewine | Apple Music

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Find tickets for Trans-Siberian Orchestra in Tacoma, Washington at Tacoma Dome on Sunday, November 25, 2018.

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Ndombolo! Seattle African Club Party with OneLove by DaMusicHits | Shelter Lounge

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Find tickets for Trippie Redd

in Seattle, Washington at Showbox SoDo on Thursday, February 28, 2019.  Showbox SoDo is located at 1700 1st Ave S in Seattle, WA

Top Hip-hop Charts

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Sean Paul upcoming The Filmore in Silver Spring

Sean Paul’s website

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A Sunday with Clinton Fearon #8
LIVE STREAMING

Like many reggae musicians who came of age in the late 1960s and early ’70s, Clinton Fearon was a country boy who migrated to Kingston as a teenager in order to seek his musical fortune among the proliferating studios and sound systems of the big city. He was born in St. Andrew in 1951 and moved around the countryside with his father and stepmother before relocating to Kingston in 1967; he immediately organized a singing group with some friends, but it never amounted to anything and broke up before it could record. It was around 1970, when he joined Albert Griffiths and Errol Grandison to form the Gladiators, that he hit his stride as a musician and began what would be the most significant and commercially successful association of his career.
Grandison quit the group fairly early in its career and was replaced by Gallimore Sutherland and with this lineup, the Gladiators became mainstays at the famous Studio One, where they recorded highly religious songs of their own as well as backing up such top-ranked artists as Stranger Cole and Burning Spear. Around 1974, the group began working with the infamous Lee “Scratch” Perry at his Black Ark studio, where again they recorded on their own as well as backing up other artists, notably the enigmatic singer Vivian “Yabby U” Jackson. Fearon, who by this time was an accomplished bass player as well as a gifted singer and songwriter, was put to especially heavy use in the studio, recording numerous basslines for other artists and rarely getting any credit, or even regular payment for his services. His bass is the one heard on Perry’s strange and wonderful “Roast Fish and Cornbread,” as well as many other Black Ark recordings for which the session notes are long gone.
In the late ’80s he emigrated to the United States, settling in Seattle, where he organized the relatively short-lived Defenders band. The group recorded one EP before breaking up. In 1993, he formed his current ensemble, the Boogie Brown Band, which has recorded four albums: Disturb the Devil, Mystic Whisper, What a System, and Soon Come. ~ Rick Anderson

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Beenie Man, Ghetto Michael Jackson, Nvasion, Dunrich

Beenie Man Music on amazon

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Halsey & Kelsea Ballerini Perform ‘Without Me’

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Much can be said about the late Amy Winehouse, one of the U.K.’s flagship vocalists during the 2000s. The British press and tabloids seemed to focus on her rowdy behavior, heavy consumption of alcohol, and tragic end, but fans and critics alike embraced her rugged charm, brash sense of humor, and distinctively soulful and jazzy vocals. Her platinum-selling breakthrough album, Frank (2003), elicited comparisons ranging from Billie Holiday and Sarah Vaughan to Macy Gray and Lauryn Hill. Interestingly enough, despite her strong accent and vernacular, one can often hear aspects of each of those singers’ vocal repertoires in Winehouse’s own voice. Nonetheless, her allure had always been her songwriting — almost always deeply personal but best known for its profanity and brutal candor.

Born to a taxi-driving father and a pharmacist mother, Winehouse grew up in the Southgate area of northern London. Her upbringing was surrounded by jazz. Many of the uncles on her mother’s side were professional jazz musicians, and even her paternal grandmother was romantically involved with British jazz legend Ronnie Scott at one time. While at home, she listened to and absorbed her parents’ selection of greats: Dinah Washington, Ella Fitzgerald, and Frank Sinatra among others. However, in her teens, she was drawn to the rebellious spirit of TLC, Salt-N-Pepa, and other American R&B and hip-hop acts of the time. At the age of 16, after she had been expelled from London’s Sylvia Young Theatre School, she caught her first break when pop singer Tyler James, a schoolmate and close friend, passed on her demo tape to his A&R representative, who was searching for a jazz vocalist. That opportunity led to her recording contract with Island Records. By the end of 2003, when she was 20 years old, Island had released her debut album, Frank. With contributions from hip-hop producer/keyboardist Salaam Remi, Winehouse’s amalgam of jazz, pop, soul, and hip-hop received rave reviews. The album was nominated for the 2004 Mercury Music Prize as well as two Brit Awards, and its lead single, “Stronger Than Me,” won an Ivor Novello Award for Best Contemporary Song.
Following Winehouse’s debut, the accolades and inquiring interviews appeared concurrently in the press with her tempestuous public life. Several times she showed up to her club or TV performances too drunk to sing an entire set. In 2006, her management company finally suggested that she enter rehab for alcohol abuse, but instead, she dumped the company and transcribed the ordeal into the U.K. Top Ten hit “Rehab,” the lead single for her second, critically acclaimed album, Back to Black. Containing evocative productions from Salaam Remi and British DJ/multi-instrumentalist Mark Ronson, the album somewhat abandoned jazz, delving into the sounds of ’50s/’60s-era girl group harmonies, rock & roll, and soul. The fanfare over the release was so great that it started to spill over onto U.S. shores; several rappers and DJs made their own remixes of various songs, not to mention covers by Prince and the Arctic Monkeys.

One month after Winehouse won Best Female Artist at the Brit Awards in February 2007, Universal released Back to Black in the U.S. The LP charted higher than any other American debut by a British female recording artist before it, and it remained in the Top Ten for several months, selling a million copies by the end of that summer. Just as in the U.K., she became the talk of the town, landing on the covers of Rolling Stone and Spin magazines. Not long afterward, though, Winehouse canceled her North American tour. Early reports revealed that she was entering rehab for alcohol and drug addiction, but her new management denied the claims, stating it was due to severe exhaustion. Her erratic behavior kept her and her new husband, Blake Fielder-Civil, in the tabloids constantly, on and off stages on both sides of the Atlantic, but in late 2007, American fans were finally given a chance to hear Winehouse’s early work, with a slightly abbreviated (two songs removed and one added) version of Frank.
Unfortunately, the next four years were filled with drama, disappointment, and very little music. By 2009, her marriage had ended in divorce, she had repeatedly been arrested on assault charges and/or public order offenses, her struggles with substance abuse and mental health issues tragically played out in the press. Public performances turned into incoherent disasters, the worst of them posted to video-sharing sites for all to see. A track on the Quincy Jones tribute Q: Soul Bossa Nostra appeared in 2010, while a duet with Tony Bennett was announced in early 2011, but a planned follow-up to Back to Black would never make it past the demo stage. Winehouse was found dead in her Camden, London apartment on July 23, 2011. The coroner’s report, delivered three months later, revealed that her blood alcohol content had reached a potentially fatal level.

Nearly two months after her death, Winehouse’s first posthumous appearance was released on Tony Bennett’s Duets II, where she duetted with him on “Body and Soul.” Near the end of 2011, her family’s foundation announced the release of Lioness: Hidden Treasures, a posthumous compilation featuring recordings from throughout her career (although a few of the arrangements were recorded after her death). A year after Lioness came At the BBC, a deluxe CD/DVD set — available both as a four-disc box and a smaller two-disc compilation — rounding up all of her live performances for the British Broadcasting Company.

In the summer of 2015, Amy, a documentary by director Asif Kapadia, told her story through photographs, archival footage (in the studio and out), and music. Much of this media had not been available previously. It also contained interviews with friends, family, musical collaborators, and the late singer. That October, a soundtrack was issued that alternated previously released and unreleased Winehouse material with pieces from the film’s score. ~ Cyril Cordor

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Lil Baby
Mississippi Coast Coliseum, Biloxi, MS

Find tickets for Lil Baby in Biloxi, MS at Mississippi Coast Coliseum on June 19, 2021.
Mississippi Coast Coliseum is located in Biloxi, MS

Compared to some of his Atlanta peers (Gunna, Migos, early booster Young Thug), Lil Baby is a chiller: He shrugs off fashion shows, he doesn’t have tattoos (he doesn’t want business partners from the white world thinking he’s something he isn’t), and even when he boasts, he keeps it low-key. (“I never call myself a G.O.A.T.,” he raps on “Emotionally Scarred,” “I leave that love to the people.”) But the tracks here also speak to a sense of lyricism and intensity that has made him one of the steadiest, most compelling voices in the new chapter of trap—and the 2020 Apple Music Awards’ Artist of the Year. Sometimes nothing speaks louder than staying quiet.

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Find Tickets for Wu-Tang Clan Upcoming Concerts & Tickets

Wu-Tang were the first of its kind. A nine-man group comprised of RZA, GZA, Method Man, Ol’ Dirty Bastard, Raekwon, Ghostface Killah, Inspectah Deck, U-God, and Masta Killa, they signed to Loud Records as a group but members had solo deals of their own. Their epic debut, Enter the Wu-Tang (36 Chambers), was part of a wave of East Coast classics that helped bring New York hip-hop back to prominence in 1993 and 1994. Their sophomore LP, Wu-Tang Forever—released following a streak of seminal solo LPs from Raekwon, GZA, and Ghostface—was certified four times platinum. The clan was dealt a devastating blow when Ol’ Dirty died of a drug overdose in 2004. Wu members mostly focus on solo material these days, but they reunited to release new music in 2013.

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Find tickets for Doja Cat in Brooklyn, NY at Coney Art Walls on July 04, 2021.
Coney Art Walls is located in Brooklyn, NY

Doja Cat’s fierce style, sweet singing voice, and hard-edged rapping catapulted her to the top of the pops as the 2020s began. Her uncanny ability to add high-concept hooks—the extended “oooh”-ing that gives “Mooo!” its bovine appeal, the runway-ready chorus of “Boss Bitch”—to undeniably catchy pop confections helped, too. Doja’s breakout hit “Say So” gleams and bounces like a freshly blown bubble; her earlier single “Candy” pairs sulking with innuendo and knotty synths; and her collaborations with high-flying MCs like Gucci Mane and Rico Nasty prove that she can hang on record with hip-hop’s biggest names.

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Find tickets for The Stadium Tour in Chicago, IL at Wrigley Field on July 08, 2022.
Wrigley Field is located in Chicago, IL

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Dave Matthews Band Tickets

Find tickets for Dave Matthews Band in Gilford, NH at Bank of New Hampshire Pavilion on August 24, 2021.
Bank of New Hampshire Pavilion is located in Gilford, NH

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Find tickets for Aventura in Los Angeles, CA at Dodger Stadium on September 05, 2021.
Dodger Stadium is located in Los Angeles, CA

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Watch Cooley High Now

Set in 1964 Chicago, “Cooley High” is a slice-of-life tale of two high school students–best friends–coping with the challenges of everyday life and growing up in the shadows of the housing projects. Glynn Turman and Laurence-Hilton Jacobs star.

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Find tickets for Jack Harlow in Los Angeles, CA at The Novo on January 07, 2022.
The Novo is located in Los Angeles, CA

“I still wanna be one of the greats,“ rapper Jack Harlow tells Apple Music about his commitment to his craft. “I’m very ambitious about this. And I think I have what it takes to really make a mark because I love the art.” Harlow, born in 1998 in Kentucky, is well on his way to turning that dream into reality. Growing up in Louisville’s Highlands neighborhood, Harlow started writing and rapping at the age of 12 and released his bouncy first EP before graduating high school in late 2015.

Since his more fully realized mixtape, 18, dropped in 2016, Harlow has continued to inject his chill party rap and poppy beats with “addictive, candy-coated qualities,” as he described it to Apple Music. “It’s good on the ears.” With 2017’s Gazebo, he established a more mature sound, moodily riding through his hometown with the intense “Dark Knight” and keeping things dreamy using synth pulses on the regret-laden “Wasted Youth.”

It’s a vibe he honed on multiple mixtapes in the late 2010s, keeping with a feel he says is representative of Louisville—smooth and laidback—while exploring elements of trap, which is native to his adopted home base of Atlanta. With every beat on 2020’s punchy, swaggering Sweet Action, Harlow moved closer to the place he sees as his inevitable destination: “On top.”

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