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Burna Boy, grandson of music critic Benson Idonje, has music in his blood. He juggles Afrobeats and R&B with seeming ease—2012’s single “Like to Party” is a synth-laden track that melds soulful singing with bright, punchy beats. The pounding bass and catchy refrains of his dancehall-influenced music show that the rapper has a talent for finding earworm melodies. Despite this skill, he hasn’t gotten stuck on one formulaic style—he adds downtempo pop to 2018’s “Ye” and Latin salsa instrumentals to the 2017 single “Deja Vu”, exploring the full range of his dynamic, beat-forward club tracks.

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Jason DeFord, better known as Jelly Roll, is a Nashville native whose first burst of fame in the early 2010s came from channeling the country influences of his hometown into a Southern-fried hip-hop style. Both as a solo artist and in collaboration with the likes of Haystak, Lil Wyte, and Struggle Jennings, he crafts moody narratives in which doubt and self-acceptance achieve a precarious balance. He sometimes taps into rock elements, and he turned heads in a whole different direction by leaning hard into country on his 2022 hit single “Son Of A Sinner.”

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Norah Jones hit the New York City jazz scene hard in the late-’90s before scoring a deal with the legendary Blue Note Records. 2002’s Come Away With Me rewarded the label’s faith in the pianist and singer/songwriter as it notched up GRAMMY® wins and eventually hit diamond sales status. At the heart of Jones’s success is her ability to mix her training in the traditional jazz field with folk, country, and even subtle synth pop influences, as showcased on 2012’s Danger Mouse-produced Little Broken Hearts.

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The Fugees were one of the most commercially successful rap groups of the ’90s. Comprising Lauryn Hill, Wyclef Jean and Pras, the trio’s 1994 debut Blunted on Reality flew under the radar but remixes to its “Nappy Heads” and “Vocab” gave the New Jersey-bred crew momentum going into their 1996 sophomore album The Score. That LP spawned hits like the Roberta Flack remake “Killing Me Softly,” which forecasted Hill’s superstar solo potential, “Fu-Gee-La,” and “Ready or Not,” selling over six million copies and winning two GRAMMY® awards. Jean issued his double-platinum solo debut The Carnival in 1997 and Hill dropped the multi-platinum GRAMMY® Award-winning The Miseducation of Lauryn Hill the following year. Miseducation featured “Lost One”—a venomous diss to Jean that revealed internal conflict within the group. They patched things up for a surprise appearance at Dave Chappelle’s Block Party in 2004 and momentarily reunited to record the single “Take It Easy” in 2005.

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Denver Broncos vs Buffallo Bills: NFL Wild Card Round Preview and Tickets

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