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Find tickets for Jonas Brothers in Baltimore, Maryland at Royal Farms Arena on Saturday, November 30, 2019. Royal Farms Arena is located at 201 W Baltimore St in Baltimore, MD

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Celine Dion on Apple Music

Find tickets for Celine Dion in Boston, Massachusetts at TD Garden on Friday, December 13, 2019.
TD Garden is located at 100 Legends Way in Boston, MA

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Celine Dion on Apple Music

Find tickets for Celine Dion in Boston, Massachusetts at TD Garden on Friday, December 13, 2019.
TD Garden is located at 100 Legends Way in Boston, MA

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Find tickets for Kiss 108 Jingle Ball: Niall Horan, Charlie Puth, Lizzo, 5 Seconds of Summer, Why Don’t We & Halsey in Boston, Massachusetts at TD Garden on Sunday, December 15, 2019. TD Garden is located at 100 Legends Way in Boston, MA

About Lizzo

Coming on smart, sassy, and strong, like an indie Missy Elliot, Minneapolis rapper and singer Lizzo arrived in the Twin Cities with a hard sound and stance, thanks to her Texas roots and time learning the ropes with crews like Atlanta’s Crime Mob. Born Melissa Jefferson in Houston and raised in Detroit, Lizzo earned her moniker when she joined the uniformly named members — Lexo, Nino, and Zeo — of the Cornroll Clique. A 2011 move to Minneapolis found her fronting Lizzo & the Larva Ink while joining the neo-TLC-type group the Chalice. Her work began to intertwine with the city’s indie scene, which included artists like Gayngs, Doomtree, Marijuana Deathsquads, and Har Mar Superstar; listening to a copy of Doomtree producer Lazerbreak’s album Lava Breaks brought her out of a long case of writer’s block.

Inspired by Lazerbreak’s work, she recorded the album Lizzobangers with the producer plus Gayngs member Ryan Olson. The album was released in 2013 on the Totally Gross National Product label. After making guest appearances on tracks by Prince & 3rdEyeGirl (“Boytrouble”), Clean Bandit (“New Eyes”), Bastille (“Torn Apart”), and Sean Anonymous & DJ Name (“Cold Shoulder”), Lizzo released her second full-length album, 2015’s Big GRRRL Small World, on her own BGSW label. In October 2016, Lizzo made her major-label debut with the EP Coconut Oil, which was released by Atlantic’s Nice Life imprint. The following year saw her drop the singles “Water Me” and “Truth Hurts,” with “Fitness” and “Boys” arriving the following year. In February 2019, Lizzo issued the title track from her full-length Cuz I Love You, whcih arrived later that April. ~ David Jeffries

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Brandi Carlile via Apple Music

Find tickets for Brandi Carlile in Seattle, Washington at Benaroya Hall – Mark Taper Foundation Auditorium on Friday, February 21, 2020. Benaroya Hall – Mark Taper Foundation Auditorium is located at 200 University Street in Seattle, WA

About Brandi Carlile

A literate singer/songwriter whose music splits the difference between pop/rock and folksy Americana, Brandi Carlile was born in the small town of Ravensdale, Washington, an isolated community 50 miles from Seattle. With few neighbors or friends nearby, she grew up learning to make her own entertainment, which included hiking trips in the nearby woods and self-taught vocal lessons. Carlile also grew attached to the classic country music her parents doted on, specifically Patsy Cline, and she made her stage debut at the age of eight after she was taken to a local country radio show by her mother. At 17, Carlile picked up the guitar, having developed a taste for rock & roll through Elton John’s classic albums of the ’70s, and began hitting the Seattle bar scene, playing anywhere she could get a gig (including a stint singing backup for an Elvis Presley tribute act).

While playing clubs, she encountered a band called the Fighting Machinists, featuring twin brothers Tim and Phil Hanseroth. Impressed by their instrumental skills and spot-on harmonies, Carlile became an instant fan of the band, and when the group broke up, she persuaded the Hanseroth twins to form a new group with her. While they started out as an aggressive rock & roll band, Carlile’s emotionally powerful songwriting and acoustic guitar work soon became the dominant component of their sound, and they began touring regularly, headlining small venues and opening shows for Dave Matthews, Shawn Colvin, and India.Arie.

In 2000, Carlile recorded the first of several self-released recordings that sold briskly at shows. By 2005, she’d gained enough buzz to secure a contract with Columbia Records, which released her self-titled debut later that same year. The album earned enthusiastic reviews, and Carlile was named one of 2005’s “Artists to Watch” by Rolling Stone. In 2006, Carlile and her band began work on her second Columbia album, The Story, with T-Bone Burnett producing. The record was released in spring 2007 to warm reviews, and the inclusion of its title track in several commercials (most notably a General Motors ad that aired during the 2008 Beijing Olympics) helped boost sales. Give Up the Ghost followed in late 2009 and cracked the Top 40, featuring production from another high-caliber studio hand, Rick Rubin, as well as a duet with childhood idol Elton John.

Carlile rang in 2010 by issuing a Valentine’s Day-themed EP, XOBC. She also continued to tour, making a well-received stop at the annual Bonnaroo Festival that summer and collaborating with the Seattle Symphony for two shows in November. The symphonic concerts were recorded and released the following year as Live at Benaroya Hall. In 2012, Carlile returned with the album Bear Creek, featuring production from Grammy Award-winning mixer/producer/engineer Trina Shoemaker. Taking its title from the Washington recording studio in which the album was recorded, Bear Creek included the leadoff single “That Wasn’t Me.” Carlile returned to Bear Creek Studios to put together her follow-up, The Firewatcher’s Daughter. Opting for a loose and live feel for the album, it was recorded almost without demo’ing any of the songs or overdubs. The album appeared the first week of March 2015.

In 2017, Carlile commemorated the tenth anniversary of The Story by assembling a star-studded charity album for War Child, Cover Stories: Brandi Carlile Celebrates 10 Years of the Story. Inspired by an Adele cover of “Hiding My Heart,” the album also featured Dolly Parton, Pearl Jam, Kris Kristofferson, Jim James, and the Avett Brothers, among others. Carlile returned with her sixth studio album, the Dave Cobb and Shooter Jennings co-production By the Way I Forgive You, in February 2018 — the LP became Carlile’s highest-charting outing to date. In October 2018, she teamed up with English singer/songwriter Sam Smith for a lush orchestral version of album-closer “Party of One.” In December 2018, she received six Grammy nominations, including three of the biggest categories: Album of the Year, Record of the Year, and Song of the Year. Carlile took home three trophies: By The Way, I Forgive You won Best Americana Album, while “The Joke” scored Best American Roots Song and Best American Roots Performance. ~ Mark Deming

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Celine Dion Courage Would Tour

Celine Dion Tickets
A voice like Celine Dion’s doesn’t come around often. In 2019, Celine Dion tickets are on sale for one of the biggest tours of her career. Celine Dion tickets for her “Courage World Tour” won’t stick around for long. Fans have been waiting to purchase Celine Dion tickets for a decade now, so demand is at an all-time high.

For some perspective, Celine Dion is in the top fifteen all-time when it comes to total record sales. Her popularity know no boundaries, and she connects with audiences all over the world!

Throughout the summer, Celine Dion is putting on a historic run of shows at Caesars Palace Colosseum in Las Vegas. Every night, the venue is filled with adoring fans waiting to see Celine Dion put on a show.

In the past three months, Celine Dion has sold alomst 1 million dollars in ticket sales. Now that Celine Dion tickets are available for her residency as well as a North American tour, that number should increase rapidly.

A native of Canada, Celine Dion is doing something special for her hometown fans during the start of her first tour in ten years! The first five shwos of her tour will be in Canada, before she heads to the US for a number of shows. Celine Dion tickets will be available in a city near you, and this is a show you can’t afford to miss!

Celine Dion is also ready to cash in on a film that will be released in 2020. The biopic will have original Celine Dion music and as a result, should be a big box office hit.

Courage World Tour
Fans have definitely enjoyed Celine Dion tickets during her Las Vegas residency at The Colosseum at Caesars Palace, but her brand new Courage World Tour tickets are on sale now and fans could not be more excited.

She is starting with 10 Canadian dates to give her hometown fans a chance to see this spectacle first. Celion Dion tickets are available for her extensive North American tour for her fans in the US as well. Starting in September of 2018 and running all the way through April of 2019, Celine Dion tickets are plentiful, and fans will have plenty of chances to see her live.

Celine Dion tickets are available for almost every major arena in North America, so the chance to see her in a city near you will be extremely easy.

She is embarking on 56-date trek across North America for the first time in a decade. For the first time in over a decade, all of her loyal fans can see her live!

Celine Dion tickets are on sale now and they are going fast. Be there for a stop on the 2019 Celine Dion concert tour and get ready for an unforgettable night. Browse concert tickets for Celine Dion and get ready for the show of a lifetime!

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Find tickets for Celine Dion in Baltimore, Maryland at Royal Farms Arena on Monday, February 24, 2020. Royal Farms Arena is located at 201 W Baltimore St in Baltimore, MD

About Céline Dion
From her humble roots as a French-language teenage pop singer to international superstardom, Canadian singer Celine Dion became a multi-platinum, Grammy-winning crossover success in the ’90s after breaking into the English-language market with heartfelt ballads that shined a spotlight on her powerful and inimitable voice. In addition to winning first prize at the 1988 Eurovision song contest, Dion has also scored multiple Grammy awards, including Album of the Year for 1996’s Falling Into You. Her award-winning contributions to film soundtracks helped expand her presence into the pop culture mainstream, most notably with songs like “Beauty and the Beast” from the 1991 Disney animated film and the blockbuster “My Heart Will Go On” from 1997’s box office smash Titanic. Decades into her career, her status as a beloved pop icon was further cemented with a record-breaking Las Vegas residency at Caesars Palace, making her one of the highest-grossing artists of all time.

Born on March 30, 1968 in Charlemagne, Quebec, Céline Marie Claudette Dion was one of 14 children in a large family that fostered a love of music. She started singing at a young age, performing at the family’s piano bar and at her older brother’s wedding. Pursuing her dream of becoming a singer, she wrote her first song “Ce N’etait Qu’un Rêve” (It Was Only a Dream) in 1980 with her mother and brother. Released in June 1981, the single peaked in the Top 20 of the Quebec singles chart and landed on her debut full-length La Voix Du Bon Dieu (Super Etoiles/Saisons), which was released in November of the same year. Under the guidance of producer and manager René Angélil, Dion went on to win “Top Performer” and “Best Song” at the 1982 Yamaha World Popular Song Festival in Tokyo and multiple Felix Awards in her native Quebec for her third effort, Tellement J’ai D’amour, which won Best Pop Album, Newcomer of the Year, and Female Vocalist of the Year. The album was certified platinum in Canada while leaping to France, where it also became a hit. A steady stream of releases followed into the late ’80s, including four studio albums, a handful of compilations, and a pair of Christmas collections, which helped her make inroads into international markets like Belgium and Switzerland.

In 1987, Dion received a full pop makeover on her eighth LP, Incognito (CBS Records). The double-platinum set spawned five hit singles and was promoted with a Canadian tour that included a multi-month residency at the Saint-Denis Theatre in Montreal. In the midst of Incognito’s whirlwind success, Dion won the 1988 Eurovision Song Contest, representing Switzerland with “Ne Partez Pas Sans Moi.” Poised for greater international exposure, Dion finally made her move beyond her French-language Canadian releases, taking aim at the U.S. pop mainstream at the turn of the decade.

Released on Columbia Records in April 1990, Unison was Dion’s first English-language album, following a concerted effort to improve her language skills and vocal training. The leap paid off and Unison was a massive success, selling more than a million copies in the U.S. and millions worldwide. In addition to singles “Have a Heart” and “Unison,” the album also included Billboard hits like “The Last to Know,” “(If There Was) Any Other Way,” and “Where Does My Heart Beat Now,” which peaked at number four on the Hot 100 and number two on the Adult Contemporary chart. Unison’s performance helped Dion attract the attention of Disney and she was recruited for 1991’s “Beauty and the Beast,” a duet with Peabo Bryson from the animated film of the same name. Produced by Walter Afanasieff and penned by Howard Ashman and Alan Menken, the ballad was a Top Ten hit, winning Dion a Grammy for Best Pop Performance by a Duo or Group With Vocals.

Her second English-language album arrived in 1992. Riding the success of “Beauty and the Beast” — included as the set’s first single — Celine Dion made confident steps away from the youthful pop of her previous releases, presenting a matured rebranding for the singer on yearning ballads and confident, R&B-inspired dance numbers. Featuring songwriting by Afanasieff, Diane Warren, and Prince, the self-titled effort entered the top 40 of the Billboard 200, eventually outselling Unison. It included hit singles “If You Asked Me To,” “Nothing Broken but My Heart,” and “Love Can Move Mountains.” Meanwhile, away from the public eye, Dion and Angelil had begun a romantic relationship, which was subtly unveiled in 1993 in the liner notes of her next album (the couple would wed at the end of 1994).

Issued in November, The Colour of My Love topped charts across Europe and in Canada, entering the Top Ten in the U.S. and even Japan. It was her highest-selling effort to date with over 20-million copies sold. The Juno- and Grammy-winning album yielded romantic hits like the Clive Griffin duet “When I Fall in Love” (from the Sleepless in Seattle soundtrack), U.K. chart-topper “Think Twice,” and the international smash “The Power of Love,” a cover of a Jennifer Rush song that went on to win the Grammy for Best Instrumental Arrangement Accompanying Vocal(s). As Love became Dion’s biggest album to date, she shifted focus back to her French audience with another blockbuster.

Following the release of live album À L’olympia, recorded in Paris in September 1994, Dion issued D’eux (released as The French Album in the U.S.) in 1995. The set included chart-topping singles like “Pour Que Tu E” and “Je Sais pas,” which both shot to number one in France and Belgium. The album itself stayed atop the French chart for a whopping 44 weeks, becoming the best-selling French album of all time. Her months of French chart dominance came to an end in 1996 when she was toppled from the top spot by her own album, Falling Into You.

Returning to English-language output, Dion hit another career high point with Falling Into You. Surpassing the success of her previous two efforts, Falling Into You found Dion at a peak in popularity, extending her chart dominance around the world with platinum singles like “It’s All Coming Back to Me Now” and the Grammy-winning “Because You Loved Me” (from the Up Close and Personal soundtrack). Frequent collaborators Diane Warren and David Foster returned to work on the project, which won Grammy Awards for Album of the Year and Best Pop Album while becoming one of the best-selling albums of all time. In support of the effort, Dion embarked on a world tour that lasted over a year, hitting spots in markets like Asia and Australia. Mere months after the tour’s final date in Switzerland, Dion returned to the top of the charts with a follow-up.

Let’s Talk About Love arrived in late 1997. Afanasieff and Foster, among others, returned to produce the effort, while guests like Barbra Streisand, the Bee Gees, Luciano Pavarotti, Bryan Adams, Diana King, Brownstone, Carole King, and George Martin were enlisted for vocal duties and songwriting. In addition to hit duets “Tell Him” and “Immortality,” Let’s Talk About Love featured what would become Dion’s signature song, “My Heart Will Go On,” the James Horner-penned theme from the blockbuster film Titanic. With its unmistakable flute melody and cinematic scope, the single matched the film’s cultural dominance, becoming a ubiquitous radio staple and topping charts in Canada, Europe, Australia, and the U.S. After winning an Academy Award in 1997 for Best Original Song, “My Heart Will Go On” scored a Golden Globe in 1998 before sweeping the 1999 Grammys with wins for Record of the Year, Song of the Year, Best Female Pop Vocal, and Best Song for a Motion Picture or Television. While touring in support of Let’s Talk About Love, Dion issued the holiday album These Are Special Times; a greatest-hits compilation, All the Way: A Decade of Song; and another French release, S’il Suffisait D’aimer. She capped off the decade by receiving the titles of Officer of the Order of Canada for Outstanding Contribution to the World of Contemporary Music and Officer of the National Order of Quebec. After her unbroken run of ’90s chart success and international touring, Dion took a well-deserved break to focus on her family, prompted in part by a cancer diagnosis for Angelil and the 2001 birth of their first child.

Dion returned to music in 2002 with a refreshed pop sound on A New Day Has Come. Another multi-platinum chart-topper, the album was inspired by the birth of her son and the September 11th attacks, which pushed Dion to focus on love, hope, and fresh beginnings. In addition to familiar faces like Afanasieff, Christopher Neil, Ric Wake, and Guy Roche, Dion also enlisted Swedish pop producers Anders Bagge, Peer Astrom, and Arnthor Birgisson, as well as songwriters Kara DioGuardi and Corey Hart. While not as globe-conquering as her late-’90s releases, A New Day managed to yield uplifting hits like “A New Day Has Come” and “I’m Alive,” a pair of sweeping tracks that highlighted her new-millennium pop confidence. Settling into this reenergized comfort zone, Dion quickly followed with 2003’s One Heart, home to the urgent dance-pop single “I Drove All Night,” a cover of the Roy Orbison song that was popularized by Cyndi Lauper in 1989. The rest of the album showcased this sleek, pop-friendly rebirth, hiring producers like Cathy Dennis and Max Martin, known for their work with acts like Britney Spears and Kylie Minogue. Despite the attempt at reinvention, One Heart’s stylistic shift was met with criticism, becoming her lowest-selling English-language effort in over a decade. Yet, even with this seemingly commercial disappointment, the album was still certified platinum and sold over five million copies worldwide.

The mid-aughts remained relatively quiet for Dion. Taking a step back from the pop world, she entered the studio with Jean-Jacques Goldman, Erick Benzi, Jacques Veneruso, and Gildas Arzel for the folk-and-country-influenced 1 Fille & 4 Types, a surprising dip into hitherto unexplored genres for the artist that ended up being a hit for her French-language fans. A year later, she retreated to familiar adult contemporary territory on the baby-centric, multimedia collaboration with photographer Anne Geddes, Miracle, which featured Dion’s covers of songs by John Lennon, Louis Armstrong, Roberta Flack, and others. 2004 also saw the release of A New Day…Live in Las Vegas, a concert recording of her multi-million dollar, five-year residency at Caesars Palace in Las Vegas. Occupied by these live shows — which had Dion booked for nightly performances five days a week — she released a comprehensive greatest-hits collection, On Ne Change Pas, which compiled her French-language hits from 1981 to 2005. In 2007, after the release of another French album, D’elles — an ambitious concept featuring songs written by French female authors — Dion returned with a course-correcting follow-up to One Heart.

Taking Chances arrived at the end of 2007. A comeback of sorts, the LP included the set’s sole hit “Taking Chances,” written with Kara DioGuardi and the Eurythmics’ David A. Stewart, and a cover of Heart’s “Alone,” reimagined with guitarist Ben Moody (ex-Evanescence). Despite being one of her lowest-selling English efforts, Taking Chances was supported with a record-breaking international tour that made stops in South Africa, China, Malaysia, and Australia, becoming one of the highest-grossing treks of all time.

Another best-of compilation, My Love: Essential Collection (which collected hits released after 1999’s All the Way), kept Dion on the charts following the conclusion of her world tour, which was commemorated on 2010’s Taking Chances World Tour: The Concert, recorded in Boston and Montreal. She also signed on for a second multi-year concert residency at the Colosseum at Caesars Palace, which had a planned run that extended into 2019. Meanwhile, she issued another French album, Sans Attendre, in late 2012. Topping charts in worldwide French markets, the effort featured duets with Johnny Hallyday (“L’amour Peut Prendre Froid”), Jean-Pierre Ferland (“Une Chance Qu’on S’a”), and Henri Salvador (“Tant de Temps”). Eleventh English album, Loved Me Back to Life, followed in 2013. In addition to the Sia-penned title track, Loved Me also included duets with Ne-Yo (“Incredible”) and Stevie Wonder (“Overjoyed”).

In 2014, Dion’s Vegas residency and an Asia tour were abruptly halted after Angelil’s health began to further deteriorate. Although her performances resumed a year later in the summer of 2015, they were once again halted in early 2016 with the tragic deaths of both Angelil and her brother, Daniel Dion, which came within two days of each other. A devastated Dion took time away from the spotlight for a month, returning to the stage in February.

That summer, she released Encore un Soir, an introspective set of uplifting pop that peaked at number one in Canada, France, Belgium, and Switzerland, notably becoming Dion’s first French-language effort to chart on the Billboard charts. Encore was home to singles like the title track and “L’étoile,” co-written by French slam poet Grand Corps Malade.

Dion returned to the world of film soundtracks in 2017. Reuniting with a property that helped break her into the American pop culture landscape over 25 years earlier, she contributed “How Does a Moment Last Forever” to Disney’s live action remake of Beauty and the Beast. Composed by Alan Menken with lyrics by Tim Rice, the song topped the Quebec charts and even entered the Top Ten across Asia. In 2018, she contributed to another, though slightly more unorthodox, soundtrack: Deadpool 2. “Ashes” landed that May, accompanied by a music video starring Dion and the titular superhero that quickly went viral. ~ Neil Z. Yeung

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Find Davido US Tour Concert Tickets

Davido via Apple Music

Find tickets for Davido in Seattle, Washington at The Neptune Theatre on Monday, March 02, 2020.

About Davido
Nigerian vocalist/producer Davido was born David Adedeji Adeleke in Atlanta, Georgia in 1992. His interest in music began while attending Oakwood University in his late teens, and he started making his own beats and investigating music production. He dropped out of school and began pursuing music full-time, relocating to Lagos, Nigeria and releasing his debut single, “Back When,” in 2011. The single received some attention for its mix of clubby production, high-energy vocals, and Afro-pop rhythms, and was followed shortly by second single “Dami Duro.” Work began on his debut album, Omo Baba Olowo, which was released in 2012 and produced a plethora of singles. Success came quickly for Davido, and he sated his fans with a string of new tracks released over the next several years while work was being done on follow-up album The Baddest. Between 2013 and 2017, singles like “Gobe,” “Aye,” and “Pere” (among many others) piled up, sometimes featuring collaborations with bigger-name rappers like Meek Mill or Young Thug. In the time between albums, Davido also inked a deal with RCA and began his own label, although The Baddest still remained unreleased in mid-2017. ~ Fred Thomas

Top Afrobeat Charts>>>

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Find tickets for Billie Eilish in Philadelphia, Pennsylvania at Wells Fargo Center – PA on Friday, March 13, 2020.Wells Fargo Center – PA is located at 3601 South Broad Street in Philadelphia, PA

About Billie Eilish

When singer-songwriter Billie Eilish feels something new, the first thing she does is take out her phone and write it down. “You can write anything,” she told Apple Music in an interview for the Up Next series. “You can say the truth, and you can not tell anyone that it’s the truth—you can just write it, and it’ll be yours.” Raised and homeschooled in Los Angeles by actor/musician parents, Eilish (born Billie Eilish Pirate Baird O’Connell in 2001) started writing songs when she was around 11, exploring a strain of melancholy, minimal, and slightly surrealistic pop influenced as much by Lana Del Rey as the radical honesty of rappers like Tyler, the Creator and Earl Sweatshirt.

Writing and recording with her brother—and producer—Finneas O’Connell at their parents’ house, Eilish released dont smile at me in 2017, followed by an ever-evolving series of singles—a prime example of the fact that, in the streaming era, artists are now free to move directly from their bedrooms into the spotlight. Despite the attention, Eilish is doing her best to stake out a space of freedom and fluidity, expanding her range of collaborators (Vince Staples, Khalid) and dodging easy definition. “If people think I have a sound, if people are like, ‘Oh yeah, her sound is this,’ if someone asks you what my sound is and you have an answer for them—you’re wrong,” she told Beats 1’s Zane Lowe. “Instead of trying to find a sound, when I want to make something and when I have an idea of what I want to make, I’m just going to make that.”

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Find tickets for Billie Eilish in Washington, District Of Columbia at Capital One Arena on Wednesday, March 18, 2020.Capital One Arena is located at 601 F Streets NW in Washington, DC

About Billie Eilish

When singer-songwriter Billie Eilish feels something new, the first thing she does is take out her phone and write it down. “You can write anything,” she told Apple Music in an interview for the Up Next series. “You can say the truth, and you can not tell anyone that it’s the truth—you can just write it, and it’ll be yours.” Raised and homeschooled in Los Angeles by actor/musician parents, Eilish (born Billie Eilish Pirate Baird O’Connell in 2001) started writing songs when she was around 11, exploring a strain of melancholy, minimal, and slightly surrealistic pop influenced as much by Lana Del Rey as the radical honesty of rappers like Tyler, the Creator and Earl Sweatshirt.

Writing and recording with her brother—and producer—Finneas O’Connell at their parents’ house, Eilish released dont smile at me in 2017, followed by an ever-evolving series of singles—a prime example of the fact that, in the streaming era, artists are now free to move directly from their bedrooms into the spotlight. Despite the attention, Eilish is doing her best to stake out a space of freedom and fluidity, expanding her range of collaborators (Vince Staples, Khalid) and dodging easy definition. “If people think I have a sound, if people are like, ‘Oh yeah, her sound is this,’ if someone asks you what my sound is and you have an answer for them—you’re wrong,” she told Beats 1’s Zane Lowe. “Instead of trying to find a sound, when I want to make something and when I have an idea of what I want to make, I’m just going to make that.”

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Find Davido US Tour Concert Tickets

Davido via Apple Music

Find tickets for Davido in Silver Spring, Maryland at The Fillmore Silver Spring on Tuesday, March 24, 2020.

About Davido

Nigerian vocalist/producer Davido was born David Adedeji Adeleke in Atlanta, Georgia in 1992. His interest in music began while attending Oakwood University in his late teens, and he started making his own beats and investigating music production. He dropped out of school and began pursuing music full-time, relocating to Lagos, Nigeria and releasing his debut single, “Back When,” in 2011. The single received some attention for its mix of clubby production, high-energy vocals, and Afro-pop rhythms, and was followed shortly by second single “Dami Duro.” Work began on his debut album, Omo Baba Olowo, which was released in 2012 and produced a plethora of singles. Success came quickly for Davido, and he sated his fans with a string of new tracks released over the next several years while work was being done on follow-up album The Baddest. Between 2013 and 2017, singles like “Gobe,” “Aye,” and “Pere” (among many others) piled up, sometimes featuring collaborations with bigger-name rappers like Meek Mill or Young Thug. In the time between albums, Davido also inked a deal with RCA and began his own label, although The Baddest still remained unreleased in mid-2017. ~ Fred Thomas

Top Afrobeat Charts>>>

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Celine Dion on Apple Music

Find tickets for Celine Dion in Tacoma, Washington at Tacoma Dome on Wednesday, April 15, 2020.  Tacoma Dome is located at 2727 East D St in Tacoma, WA

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WATCH Public Enemy – Fight The Power

We bring you this revolutionary hip-hop classic by Public Enemy. Fight the Power was featured on Spike Lee’s classic film Do The Right Thing. We thank George Floyd for doing the right; and for helping spark the fight against power. RIP.

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Vieux Farka Touré Live in Mali | June 5, 2020

Give the gift of music by donating to our Playing For Change Foundation via the live chat or blue ‘donate’ button. #stayhomewithPFC

on YouTube Live

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Watch The Notorious B.I.G. perform Juicy live

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Check out the best highlights from the 2019-20 NBA basketball season. It got cut-off by covid-19, but the season was on fire and we can’t wait for it to resume. in the meantime, enjoy the show!

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A Sunday with Clinton Fearon #8
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Like many reggae musicians who came of age in the late 1960s and early ’70s, Clinton Fearon was a country boy who migrated to Kingston as a teenager in order to seek his musical fortune among the proliferating studios and sound systems of the big city. He was born in St. Andrew in 1951 and moved around the countryside with his father and stepmother before relocating to Kingston in 1967; he immediately organized a singing group with some friends, but it never amounted to anything and broke up before it could record. It was around 1970, when he joined Albert Griffiths and Errol Grandison to form the Gladiators, that he hit his stride as a musician and began what would be the most significant and commercially successful association of his career.
Grandison quit the group fairly early in its career and was replaced by Gallimore Sutherland and with this lineup, the Gladiators became mainstays at the famous Studio One, where they recorded highly religious songs of their own as well as backing up such top-ranked artists as Stranger Cole and Burning Spear. Around 1974, the group began working with the infamous Lee “Scratch” Perry at his Black Ark studio, where again they recorded on their own as well as backing up other artists, notably the enigmatic singer Vivian “Yabby U” Jackson. Fearon, who by this time was an accomplished bass player as well as a gifted singer and songwriter, was put to especially heavy use in the studio, recording numerous basslines for other artists and rarely getting any credit, or even regular payment for his services. His bass is the one heard on Perry’s strange and wonderful “Roast Fish and Cornbread,” as well as many other Black Ark recordings for which the session notes are long gone.
In the late ’80s he emigrated to the United States, settling in Seattle, where he organized the relatively short-lived Defenders band. The group recorded one EP before breaking up. In 1993, he formed his current ensemble, the Boogie Brown Band, which has recorded four albums: Disturb the Devil, Mystic Whisper, What a System, and Soon Come. ~ Rick Anderson

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Alicia Keys vi Apple Music

Find tickets for Alicia Keys in Baltimore, Maryland at MECU Pavilion on Wednesday, August 05, 2020. MECU Pavilion is located at 731 Eastern Ave in Baltimore, MD

About Alicia Keys
American singer/songwriter and pianist Alicia Keys became an international star in the early 2000s with her singular mix of classic and contemporary R&B. Behind the number one pop hit “Fallin’,” her debut album, Songs in A Minor, sold more than 50,000 copies during its first day of availability in 2001 and eventually moved over ten million units worldwide, thus setting the stage for the then-20-year-old’s career. Her 2003 sophomore follow-up, The Diary of Alicia Keys, cemented her popularity and she spent the next decade refining her signature sound, racking up platinum certifications with additional chart-toppers As I Am (2007) and Girl on Fire (2012). In addition to her solo efforts, Keys also collaborated on a number of notable hits with the likes of Jay-Z (“Empire State of Mind”), Jack White (the Bond theme “Another Way to Die”), Usher (“My Boo”), and more.

Alicia Augello Cook was born in Hell’s Kitchen in early 1981. Raised by her Italian-American mother, she enrolled in classical piano lessons at the age of seven and began writing songs four years later. An education at the Professional Performance Arts School helped develop her vocal skills, and Keys graduated at the age of 16 as the class valedictorian. Two Columbias loomed on the immediate horizon: Columbia University and Columbia Records, both of which had extended offers to the talented student/musician. Although she attempted to make both options work, Keys found it difficult to juggle the two commitments and chose to focus exclusively on her music career. Assuming the stage name of Alicia Keys, she began working with Columbia and contributed a song to the Men in Black soundtrack, but disputes with the label resulted in her contract’s termination.

Keys bounced back by aligning herself with Clive Davis, the president of Arista Records, but work on her debut album stalled when Davis was ousted from the company in 2000. Davis soon formed his own label, J Records, and welcomed Keys back into the fold with an aggressive publicity campaign (including an influential appearance on The Oprah Winfrey Show). Songs in A Minor was released in June 2001 and debuted at the top of the charts, eventually netting five Grammys and rising to platinum status in ten different countries. Her sophomore effort, 2003’s The Diary of Alicia Keys, enjoyed similar Grammy-certified success and yielded a trio of Top 10 singles, “If I Ain’t Got You,” “Diary,” and “You Don’t Know My Name.” Keys released a book of poetry, Tears for Water: Songbook of Poems and Lyrics, the following year.

A live CD/DVD package, Unplugged, arrived in 2005 and followed Keys’ two previous releases to the top of the charts. She then entered the acting world, starring in both Smokin’ Aces and The Nanny Diaries in 2007, before issuing the pop-influenced As I Am later that year. It became her fourth consecutive number one album, and she was nominated for another handful of Grammys as a result, with “Superwoman” winning the award for Best Female R&B Vocal Performance in early 2009. As the year drew to a close, Keys returned to the top of the Billboard charts with “Empire State of Mind,” a Jay-Z single that featured her vocals, and released her fourth studio album, The Element of Freedom. Although it went platinum, The Element of Freedom didn’t reach number one in the U.S. and became her first album to miss the top slot. It did reach number one in the U.K., though, marking Keys’ first chart-topping album in Europe and highlighting her status as a global artist.

During the next two years, Keys married producer Swizz Beatz, gave birth to a son, collaborated with Eve on the single “Speechless,” appeared on Kanye West’s all-star track “All of the Lights,” and went on a brief tour in celebration of her debut album’s tenth anniversary. She also wrote and co-produced “Angel” for Jennifer Hudson’s I Remember Me. In 2012, she assisted Emeli Sandé (Our Version of Events) and Miguel (Kaleidoscope Dream) prior to releasing Girl on Fire, her fifth studio album. It was issued on RCA that November and featured collaborations with her husband, as well as Sandé, Salaam Remi, Jeff Bhasker, Frank Ocean, and John Legend. In the U.S., it became her fifth number one album and went gold. Her second live album, VH1 Storytellers, was issued in June 2013. Keys’ recorded activity during the next year involved a collaboration with Kendrick Lamar, as heard on the soundtrack of The Amazing Spider-Man 2, and a pair of socially conscious solo tracks, “We Are Here” and “We Gotta Pray.”

After Keys gave birth to her second son with Swizz Beatz, she released another single, “28 Thousand Days,” and appeared in the second season of Empire, for which she recorded “Powerful” with series co-star Jussie Smollett. The following May, Keys released “In Common” as a prelude to her sixth studio album and made her third musical guest appearance on Saturday Night Live. A few months later, she began a stint as a coach on The Voice and contributed “Back to Life” to the soundtrack for Queen of Katwe. Here, led by the biographical single “Blended Family (What You Do for Love),” arrived that November, peaking at number two on Billboard’s Top 200. In April of the following year, Keys quietly released an EP called Vault Playlist, Vol. 1, which featured previously unreleased material and reimagined versions of earlier songs.

In early 2019, in conjunction with her hosting duties on the 61st Grammy Awards, Keys issued the jazzy single “Raise a Man.” ~ Andrew Leahey & Andy Kellman

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Beenie Man, Ghetto Michael Jackson, Nvasion, Dunrich

Beenie Man Music on amazon

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House Hits Relax • 24/7 Live Stream | Deep House,Slap House & Tropical House Chill Out | Summer Mix

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Halsey & Kelsea Ballerini Perform ‘Without Me’

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Much can be said about the late Amy Winehouse, one of the U.K.’s flagship vocalists during the 2000s. The British press and tabloids seemed to focus on her rowdy behavior, heavy consumption of alcohol, and tragic end, but fans and critics alike embraced her rugged charm, brash sense of humor, and distinctively soulful and jazzy vocals. Her platinum-selling breakthrough album, Frank (2003), elicited comparisons ranging from Billie Holiday and Sarah Vaughan to Macy Gray and Lauryn Hill. Interestingly enough, despite her strong accent and vernacular, one can often hear aspects of each of those singers’ vocal repertoires in Winehouse’s own voice. Nonetheless, her allure had always been her songwriting — almost always deeply personal but best known for its profanity and brutal candor.

Born to a taxi-driving father and a pharmacist mother, Winehouse grew up in the Southgate area of northern London. Her upbringing was surrounded by jazz. Many of the uncles on her mother’s side were professional jazz musicians, and even her paternal grandmother was romantically involved with British jazz legend Ronnie Scott at one time. While at home, she listened to and absorbed her parents’ selection of greats: Dinah Washington, Ella Fitzgerald, and Frank Sinatra among others. However, in her teens, she was drawn to the rebellious spirit of TLC, Salt-N-Pepa, and other American R&B and hip-hop acts of the time. At the age of 16, after she had been expelled from London’s Sylvia Young Theatre School, she caught her first break when pop singer Tyler James, a schoolmate and close friend, passed on her demo tape to his A&R representative, who was searching for a jazz vocalist. That opportunity led to her recording contract with Island Records. By the end of 2003, when she was 20 years old, Island had released her debut album, Frank. With contributions from hip-hop producer/keyboardist Salaam Remi, Winehouse’s amalgam of jazz, pop, soul, and hip-hop received rave reviews. The album was nominated for the 2004 Mercury Music Prize as well as two Brit Awards, and its lead single, “Stronger Than Me,” won an Ivor Novello Award for Best Contemporary Song.
Following Winehouse’s debut, the accolades and inquiring interviews appeared concurrently in the press with her tempestuous public life. Several times she showed up to her club or TV performances too drunk to sing an entire set. In 2006, her management company finally suggested that she enter rehab for alcohol abuse, but instead, she dumped the company and transcribed the ordeal into the U.K. Top Ten hit “Rehab,” the lead single for her second, critically acclaimed album, Back to Black. Containing evocative productions from Salaam Remi and British DJ/multi-instrumentalist Mark Ronson, the album somewhat abandoned jazz, delving into the sounds of ’50s/’60s-era girl group harmonies, rock & roll, and soul. The fanfare over the release was so great that it started to spill over onto U.S. shores; several rappers and DJs made their own remixes of various songs, not to mention covers by Prince and the Arctic Monkeys.

One month after Winehouse won Best Female Artist at the Brit Awards in February 2007, Universal released Back to Black in the U.S. The LP charted higher than any other American debut by a British female recording artist before it, and it remained in the Top Ten for several months, selling a million copies by the end of that summer. Just as in the U.K., she became the talk of the town, landing on the covers of Rolling Stone and Spin magazines. Not long afterward, though, Winehouse canceled her North American tour. Early reports revealed that she was entering rehab for alcohol and drug addiction, but her new management denied the claims, stating it was due to severe exhaustion. Her erratic behavior kept her and her new husband, Blake Fielder-Civil, in the tabloids constantly, on and off stages on both sides of the Atlantic, but in late 2007, American fans were finally given a chance to hear Winehouse’s early work, with a slightly abbreviated (two songs removed and one added) version of Frank.
Unfortunately, the next four years were filled with drama, disappointment, and very little music. By 2009, her marriage had ended in divorce, she had repeatedly been arrested on assault charges and/or public order offenses, her struggles with substance abuse and mental health issues tragically played out in the press. Public performances turned into incoherent disasters, the worst of them posted to video-sharing sites for all to see. A track on the Quincy Jones tribute Q: Soul Bossa Nostra appeared in 2010, while a duet with Tony Bennett was announced in early 2011, but a planned follow-up to Back to Black would never make it past the demo stage. Winehouse was found dead in her Camden, London apartment on July 23, 2011. The coroner’s report, delivered three months later, revealed that her blood alcohol content had reached a potentially fatal level.

Nearly two months after her death, Winehouse’s first posthumous appearance was released on Tony Bennett’s Duets II, where she duetted with him on “Body and Soul.” Near the end of 2011, her family’s foundation announced the release of Lioness: Hidden Treasures, a posthumous compilation featuring recordings from throughout her career (although a few of the arrangements were recorded after her death). A year after Lioness came At the BBC, a deluxe CD/DVD set — available both as a four-disc box and a smaller two-disc compilation — rounding up all of her live performances for the British Broadcasting Company.

In the summer of 2015, Amy, a documentary by director Asif Kapadia, told her story through photographs, archival footage (in the studio and out), and music. Much of this media had not been available previously. It also contained interviews with friends, family, musical collaborators, and the late singer. That October, a soundtrack was issued that alternated previously released and unreleased Winehouse material with pieces from the film’s score. ~ Cyril Cordor

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Superman: Man of Tomorrow

Meet Clark Kent. Sent to Earth as an infant from the dying planet Krypton, he arrived with as many questions as the number of light-years he traveled. Now a young man, he makes his living in Metropolis as an intern at the Daily Planet – alongside reporter Lois Lane – while secretly wielding his alien powers of flight, super-strength and x-ray vision in the battle for good. Follow the fledgling hero as he engages in bloody battles with intergalactic bounty hunter Lobo and before fighting for his life with the alien Parasite. The world will learn about Superman…but first, Superman must save the world!

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The Vanished

An idyllic family vacation turns into a living nightmare for parents Paul (Thomas Jane) and Wendy (Anne Heche) when their young daughter disappears without a trace. When the local sheriff (Jason Patric) fails to chase down any new leads, the frantic parents have no choice but to take matters into their own hands. As tensions mount and the list of suspects grows, the search for the truth leads to a shocking revelation where nothing is what it seems in this gripping psychological thriller.

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The Invisible Man (2020) – Leigh Whannell

What you can’t see can hurt you. Emmy winner Elisabeth Moss (Us, Hulu’s The Handmaid’s Tale) stars in a terrifying modern tale of obsession inspired by Universal’s classic monster character. Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister (Harriet Dyer, NBC’s The InBetween), their childhood friend (Aldis Hodge, Straight Outta Compton) and his teenage daughter (Storm Reid, HBO’s Euphoria). But when Cecilia’s abusive ex (Oliver Jackson-Cohen, Netflix’s The Haunting of Hill House) commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.

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